Jason says: “WE ARE WHAT WE ARE makes a heck of a case for the much-maligned idea of remaking a foreign film in English. Though the original Mexican version was much-beloved by many (I thought it had a great opening
Jason says: “What, exactly, is the difference be ween a crime movie and a caper movie? Scale? The intricacy of the plan? Do the characters being a notch more charming or less working-class change the classification? Or is this just
Thom says: “This new dysfunctional family-on-vacation coming-of-age dramedy is a first time effort from the directors who won the 2012 Oscar for adapted screenplay for THE DESCENDANTS along with Alexander Payne. It’s a decent first effort that is nicely character-driven
Diane says: “Or, by its more appropriate international title ADELE: CHAPTERS 1 AND 2. A.k.a. the three-hour lesbian sex movie. “I had expected a happy movie: girl discovers her sexuality, finds a thrilling blue-haired partner who opens her eyes to
Jason says: “There’s a lot of reasons to recommend staying away from WAR OF THE WORLDS: GOLIATH: Inconsistent animation, a weak script, bland voice acting, etc. On the other hand, it’s got Teddy Roosevelt killing Martians, and while that doesn’t
Jason says: “To call last year’s V/H/S uneven would be generous; while it managed ‘pretty good’ in a couple of segments, it was awful in more. Still, the good thing about commercially successful anthology films is that sequels need not
Jason says: “Is there a name for the genre that includes films like HAPPY ENDINGS, SAFETY NOT GUARANTEED, and now Australian independent VESSEL yet? There should be, as ‘maybe science fiction, maybe mental illness’ is rather unwieldy. This one does
Kyle says: “According to the New York Asian Film Festival program booklet, VERY ORDINARY COUPLE, seen in its North American Premiere screening, out-grossed both A GOOD DAY TO DIE HARD and GI JOE 2 at the Korean box office. Relief
Jason says: “I suspect that every film director would like to make a film that takes place inside dreams at some point – it’s free reign to create imaginative visuals, dig right into a character’s subconscious, and make the occasional