Jason says: “There are many ways to have a good road trip; you can do it by sticking close to a map and itinerary, let your whims guide you, or do something in between. There are many ways to mess
Brett says: “For SHREW’S NEST’s lead character Montse, the Biblical consideration ‘Am I my brother’s keeper?’ is more of an emphatic statement rather than a question. And in this case, she is not a brother’s keeper, rather her sister’s. In
Jason says: “Mystery is not enough. Don’t misunderstand, it’s terrific when a story gets one to lean closer, tantalized by what’s going on, and creating that feeling is a matter of much more than leaving some details out while hinting
Jason says: “Studios and exhibitors should find a way to get short films on movie screens more often. Individually, they’re often great, compact little stories, and a ticket that gets you a handful of them for ten bucks can come
Kyle says: “MOUTON is the nickname for the title character; the word means ‘Sheep.’ It could also be taken as a description of audience members (like me) who are willingly dragged to artistic slaughter. The members of the Selection Committee
Kyle says: “SHE’S LOST CONTROL, a feature film debut by director Anja Marquardt, tells a tale of sex surrogates within the psychotherapy community: the elusive goal is intimacy but the process involves sex with people who are essentially strangers, often
Jason says: “SEVENTH CODE is the sort of movie that can easily get lost in a career like Kiyoshi Kurosawa’s: It’s a short thing produced alongside two large projects that sure looks like a promotional tool for its pop-star lead
Jason says: “The previous version of THE GRAND SEDUCTION, a French-Canadian film, SEDUCING DR. LEWIS, from about ten years ago, seems to have been fairly well regarded along with being popular enough to inspire a remake. That isn’t necessarily surprising;
The Satellite Girl and Milk Cow (South Korea; 81 min.) directed by: Chang Hyung-yun starring: Jung Yu-mi; Yoo Ah-in Jason says: “You can do absolutely anything with animation, so why not do a story about a satellite that falls to
Bruce says: “First there was HEADING SOUTH, Laurent Cantet’s 2005 film that featured middle-aged women fighting for the affections of Haitian beach boys. Then came PARADISE: LOVE, Ulrich Seidl’s searing 2012 portrait of Austrian women who go to Kenya to