Michael says: “STAY is the long-awaited second narrative feature from Chlotrudis winner and friend, Wiebke von Carolsfeld. It comes ten years after her powerful debut, MARION BRIDGE, and while STAY may not pack the emotional or dramatic punch as the
Starry Eyes (USA; 98 min.) directed by: Dennis Widmyer & Kevin Kölsch starring: DAlex Essoe; Amanda Fuller; Noah Segan; Fabianne Therese; Shane Coffey; Pat Healy Jason says: “I am going to guess that the makers of STARRY EYES have not
Jason says: “Columbia Pictures is releasing Russian blockbuster STALINGRAD almost entirely in 3D on Imax screens, and I only include that ‘almost’ just to cover all bases. This is not a bad strategy, as this is the sort of film
Soulmate (UK; 104 min.) directed by: Axelle Carolyn starring: Anna Walton; Tom Wisdom; Tanya Myers; Nick Brimble Jason says: “What is a ghost? Potentially anything a writer wants, but probably the strongest way to use this particular bit of supernatural
Kyle says: “A SPELL TO WARD OFF THE DARKNESS is an experimental documentary that centers on musician Robert A.A. Lowe of ‘Lichens’ and ‘Om’ but investigates in a three-part structure the idea of humanity’s search for utopia. The first section
Chris says: “BEGIN AGAIN, John Carney’s follow-up film to ONCE originally sported the far more on-the-nose title CAN A SONG SAVE YOUR LIFE? when it played the festival circuit. It’s a phrase Carol (Arabella Bushnell), the quietly acerbic lead of
Jason says: “A Korean director making an English-language movie from a French graphic novel may seem like a random combination, but it’s really not: Both Korean genre film and French bandes dessinées often blur genre lines and forms, while English
Jason says: “There have generally been one or two movies like SONG OF THE SEA among the nominees every year since the Oscars started giving out an award for best animated feature, and they’re the best argument for the award’s
Jason says: “THE SKELETON TWINS refers to something which appears within the movie almost entirely so that the title will mean something, much like these indie family dramas with established actors themselves often seem to be in the same sort
Jason says: “Not having seen Ajay Devgn’s first go-round as Bajirao Singham, I have no idea of this sequel – which stands alone well enough – is an improvement or disappointment relatively speaking. There are elements that suggest it could