Kyle says: “Recipient of various international film festival awards as well as BAFTA nominations for Best British Film and Outstanding Debut, Yann Demange’s ’71 is a superlative U.K. political thriller about ‘the troubles’ in Belfast prior to Bloody Sunday in
Kyle says: “Opening Night of the Film Society of Lincoln Center’s series ‘20th Rendez-Vous with French Cinema’ was Benoît Jacquot’s 3 HEARTS in its U.S. Premiere. Those who like their French films about doomed affairs of the heart intense and
Bruce says: “Haigh’s feature follow-up to the critically acclaimed WEEKEND (not counting the ill-fated TV series, LOOKING), demonstrates his artistic consistency. Charlotte Rampling is nothing short of sensational as a wife whose 45th wedding anniversary celebration is skewered by ghosts
Jason says: “When I said I’d be interested in seeing a remake of Korean comedy MISS GRANNY when I saw it at the Fantasia Festival last August, I didn’t realize that one was already shooting in China. It’s no shock
Jason says: “I see a fair number of movies from Hong Kong – just about every one that plays local theaters or the festivals I attend – but I’ve still somehow managed to miss almost the entire career of Sandra
Kyle says: “10,000 KM is a film I do not want to belittle with faint praise, especially since there are so few titles out there worth seeing at all. So I apologize in advance if I write that this is
Bruce says: “Bent Hamer specializes in stories about those who don’t fit into society in any conventional sense. He first came under my radar with KITCHEN STORIES; then followed O’HORTEN and HOME FOR CHRISTMAS. 1001 GRAMS is a slight departure
Jason says: “Sakura Ando wears some baggy clothes toward the start of 100 YEN LOVE, because she’s actually fairly attractive but this is a character who needs to burn off her frustrating slacker exterior, and that’s how it’s going to
Jason says: “ZOMBEAVERS gives the audience what they want from a movie with that title, pretty much the way they want it, and that way involves puppets. Puppets and blood. “Director Jordan Rubin and co-writers Al & Jon Kaplan are
Jason says: “I wonder if writer Pat Rushin ever thought something along the lines of ‘this script is so screwed if we don’t get Terry Gilliam’ when writing THE ZERO THEOREM. There are other directors who would dive into the