Jason says: “It is almost never difficult to figure out where HAN GONG-JU is heading, and that’s okay. It may, in fact, be part of the point. Surprise is not the only way a movie can punch the audience in
Hana-Dama (The Origins) (Japan; 108 min.) directed by: Hisayasu Satostarring: Rina Sakuragi; Taro Suwa; Kei Fuikiwara; Maika Shimamura; Syun Asada Jason says: “Have you ever felt yourself gradually turn on a movie? It’s something that can often be sense in
Jason says: “I know some folks who will dismiss HAL because it’s animated (and from Japan – the characters even have big eyes!) but might otherwise seek out the humanistic flavor of science fiction it represents. It’s a nifty little
Jason says: “Initially, THE GUEST almost seemed like a step back for the team of writer Simon Barrett and director Adam Wingard. It introduced pleasant enough cast and set up a kind of familiar ‘stranger in the house is more
Haemoo (South Korea; 111 min.) directed by: Sung-bo Shimstarring: Yun-seok Kim; Yoo-chun Park; Ye-ri Han Jason says: “This one has received a lot of notice in part because of Bong Joon-ho’s involvement as a producer and co-writer for long-time collaborator
Jason says: “Keep your eyes on Dominique Agisca Diyose, action fans of the world. She’s a looker from Indonesia, a good enough actress for the sort of material she’s given here, and she certainly looks like she can throw down
Jason says: “Sitting down for MISS GRANNY, I had a horrible fear – what if this was 200 POUNDS BEAUTY again? The template, right down to the newly-cute protagonist becoming a singer, was sort of the same, and it certainly
Jason says: “When trailers for THE GRAND BUDAPEST HOTEL first started appearing a few months ago, I felt some apprehension. Not so much because I often think I like director Wes Anderson less than I do, but because a large
Bruce says: “Gore Vidal was one of the great characters of our time and one of the greatest minds of the past century. He invariably saw through the smoke and mirrors and was able to succinctly summarize what was going
Jason says: “My second impulse where Jean-Luc Godard’s GOODBYE TO LANGUAGE is concerned is to write nothing at all about it. That’s in large part because my first is to cry that the emperor has no clothes, but I think