Jason says: “To say that THE LOOKALIKE starts out kind of charming overlooks what happens in the first few minutes to set things in motion, but it still does well enough in introducing its cast of characters that it looks
Jason says: “Steven Knight’s LOCKE does not take place entirely within the confines of the title character’s car as he makes the ninety-minute drive north to London, as there may in fact be an entire minute or two given to
Chris says: “From a contemporary viewpoint, it’s unexpected to discover that Roger Ebert had no academic background or concentrated expertise in film when he secured his post as The Chicago Sun-Times’ film critic in 1967. Of course, there were few
Jason says: “Those who have been following Hirokazu Kore-eda’s career for roughly the last decade may find it a little surprising that the two six-year-old boys at the center of LIKE FATHER LIKE SON (SOSHITE CHICI NI NARU in the
Jason says: “After seeing this, a festival buddy suggested that part of the reason this fell flat for her was that we’d just seen another over-the-top revenge piece in PUZZLE. I didn’t have quite the same reaction; where she was
Jason says: “As soon as he or she sees Nick Damici in this movie, blind but still a gruff former soldier, about to be placed in a retirement community, even the jaded moviegoer may smile a bit. It’s not the
Jason says: “There is something to be said for filmmakers (or anyone) getting out of their comfort zone. Both directors Aaron Katz and Martha Stephens are known for certain types of movies – Katz for some of the better youth-oriented
Jason says: “Earlier in this festival, I saw a post-apocalyptic movie where the nature of the end of civilization seemed particularly incidental, and where even though the stakes were high, the whole thing seemed quite inconsequential. THE LAST DAYS (LOS
Jason says: “Sometimes, a movie spends so long introducing itself that it barely has time to do anything, which feels like the case for KUNDO: AGE OF THE RAMPANT. I think it’s because this movie wants so badly to be
Jason says: “This live-action adaptation of Yasuomi Umetsu’s animated series has apparently been in development for fifteen years, and the end result is one to make you wonder why certain projects persist and eventually get made in some form while