Jason says: “I passed on seeing THE MISSING PICTURE one night this week, overstating in my head how tight a squeeze it would be to get to the theater on time because I wasn’t in the mood for it that
Jason says: “Sarah Adina Smith’s THE MIDNIGHT SWIM is one sort of movie in the sometimes ill-fitting skin of another, and I wonder if shedding that skin would allow it to be seen more clearly as a sharp tale of
Mea Culpa (France; 90 min.) directed by: Fred Cavayéstarring: Vincent Lindon; Gilles Lellouche; Nadine Labaki; Max Baissette de Malglaive Jason says: “A couple years ago, French director Fred Cavayé garnered some attention from international action-movie fans with POINT BLANK (/review/index)
Jason says: “MARY KOM opens with the title character going into labor in the middle of an armed rebellion in 2007, and that’s the sort of thing that one might think would have been a bit of a bigger factor
Jason says: “Like a lot of people, I tend to have this vague knowledge that Wallace Shawn is more than the guy with the funny voice and the odd face, that he’s a playwright and an actor who has been
Diane says: “Chlotrudis crunch time is not the time to indulge in this amazing and amazingly simple doc. When nothing had happened after 20 minutes, I had to look up a review to see what I was looking at. (I
TC says: “Having become a major Welles fan after seeing CITIZEN KANE for the first time (I’m embarrassed to admit that was only seven years ago), this look at the man, the myth, and the legend that is, was, and
Diane says: “Alfred Molina and John Lithgow make a sweet pair–married after 39 years together and then thrown into a financial and household crisis. Can you believe those two big men can fit in a bunk bed together? “Lithgow did
Chris says: “This quasi-romance seemingly contains all the right ingredients for an English language remake: appealing leads, the mysterious allure of a missed connection, comic relief from an unseen (but certainly not unheard) neighbor. Fortunately, the one thing preventing such
Bruce says: “LOVE IS THE PERFECT CRIME succeeds largely for two reasons: an excellent cast headed by the able Mathieu Amalric and a moody wintery backdrop of the French Alps exquisitely photographed by Guillaume Deffontaines. Amalric (THE DIVING BELL AND