Jason says: “Ursula Dabrowsky directs the heck out of INNER DEMON, not just because it keeps going despite having a small cast and what seems like some tight constraints where locations and other resources are concerned, but because she pulls
Jason says: “Thing to ponder: I can put a note in my phone or computer that says ‘revisit I’LL SEE YOU IN MY DREAMS twenty-five years from now’, and it could follow me from device to device over that time,
Jason says: “There was another documentary about the man behind one of ‘Sesame Street’s’ most beloved Muppets a couple years back, and even before it certain allegations (most later rescinded) were made, it didn’t really feel like BEING ELMO gave the
Jason says: “HOSTILE is probably the ultimate example of the dilemma one faces when reviewing the independent/amateur films that play festivals, where on the one hand the critic wants to tell potential viewers that they’ve probably got better options in
Kyle says: “THE HUMBLING has impeccable credentials: It is based upon a 2009 novel by Philip Roth, it is co-scripted by Buck Henry, it is directed by Barry Levinson, and it stars Al Pacino as a once-upon-a-time famous actor who
Jason says: “Bob Hope, Bing Crosby, and Dorothy Lamour made seven ROAD TO… movies between 1940 and 1962, though this series was not sequels so much as a chance to make selling the audience similar plots on a regular basis
Jason says: “James ‘The Amazing’ Randi has been best-known his efforts on debunking psychics, faith healers and other frauds for so long that many associate him with that alone. Even remembering that it was his qualifications as a magician that
Kyle says: “Two thirds of the running time of HITS has passed when Katelyn (Meredith Hagner) declares, ‘This is insanity!’ and leaves home with her father’s shotgun. HITS is a comedy about cultural chaos, its title having dozens of different
Kyle says: “HOME SWEET HELL is a mildly diverting dark comedy about marriage, murder and mayhem. Mona and Don Champagne (Katherine Heigl and Patrick Wilson) is seemingly the perfect modern married couple on paper. That turns out to be only
Jason says: “Mock documentaries are inherently gimmick movies; it is a rare one that does not crash hard up against the form’s limitations, and when that happens, it doesn’t matter whether the disappointment comes from the filmmaker having to cheat