Kyle says: “ENTER THE DANGEROUS MIND, also known confusingly by its working title and alternate Netflix listing as SNAP, is an attempt at a psychological thriller based on a variation of the Faust story. Except this Mephistopheles avatar seems unclear
Chris says: “Nothing in the colorful, florid opening scene, set at an opera performance in postwar Cuba suggests that the bulk of ELEPHANT SONG will unfold at a visually drab, wintry mental hospital in mid-1960s Canada. Similarly, little in the
Jason says: “There is much more to the life of Euphemia ‘Effie’ Gray than the film bearing her name presents; it limits itself to what are likely the three worst years of her life and maintains so tight a focus
Jason says: “Maude Michaud’s DYS- looks to be on the path to dystopia as it starts, but as with many stories that start with an outbreak, that turns out to be the background for some intense dysfunction. It’s the sort
Jason says: “It’s tempting to interpret the characters’ behavior in THE DUKE OF BURGUNDY in terms of closets and shame; it’s sort of the default for this period and would probably be a fascinating way to play it. Peter Strickland
Chris says: “I’ve seen enough coming-of-age films to contribute to a Chlotrudis poll about them, but I’ve seen nothing quite like THE DIARY OF A TEENAGE GIRL: funny, intense and sexually graphic in equal measures, it’s also a period piece,
Jason says: “The very first scene of DEVIL AND ANGEL makes it clear what sort of broad comedy it’s going to be, and it’s a pretty dumb one. And it’s not a dumb comedy that is secretly kind of clever;
Jason says: “This movie has an exclamation point in its title, and putting that together with it being from India yields a certain set of expectations – something flashy that jumps from tone to tone, at least some of them
Jason says: “I skipped DEATHGASM at Independent Film Festival Boston figuring it would play Fantasia while other things on the IFFBoston schedule might not otherwise play theaters, and the gambit paid off. Not just because the movie played, but also
Thom says: “Here’s another free ticket I nabbed to the annual San Francisco LGBT Film Festival. This was yet again a documentary entry and once more it shows that as I’m getting older it’s just as difficult being objective as