TC says: “I adored this film when we saw it at IFFB this year – and we are actively pushing its two young stars Theo Taplitz and Michael Barbieri, who just charmed the socks off of us in this beautiful
Thom says: “LA LA LAND is a pleasant film that will probably be ever remembered as the movie that won a Best Film Oscar only to be announced seconds later that it hadn’t received the prize statuette, but rather the
TC says: “I know it’s not eligible for the Trudys, but it’s a masterpiece all the same… don’t want to say much because you need to see it, but it’s going to give the very good but not perfect FINDING
Jason says: “Like a lot of movies where the filmmakers want to both celebrate family and build a story about what kind of stresses it can place on people, KAPOOR AND SONS can swing from one to the other fast
Chris says: “Winner of the John Cassavetes award at this year’s Independent Spirits, this low-budget indie reminds me a little of Jane Campion’s early work (particularly SWEETIE) in that it’s about familial relations and everything seems just a little off
Jason says: “I’m not sure how much of a coincidence it is that Priyanka Chopra’s most recent Bollywood film is getting is global release on a weekend when she has a fairly high profile in the United States – she
Jason says: “The previews for the American release of IP MAN 3 have been playing it up as Donnie Yen versus Mike Tyson, and that’s probably good marketing even if the former heavyweight champ is credited with a ‘special appearance’
Jason says: “I don’t know much about raising kids or autism, let alone the combination of the two, but I probably know just enough to find JACK OF THE RED HEARTS a bit more alarming than it was perhaps meant
Bruce says: “Filmed in black and white reminiscent of the 1960s, Philippe Garrel’s IN THE SHADOW OF WOMEN follows the dissolution of a marriage. Both husband and wife are having extra-marital affairs although they are happily married and deeply in
Bruce says: “Hany Abu-hassad would seem an unlikely director of a biopic. His earlier films, RANA’S WEDDING, PARADISE NOW, and OMAR have documented the effects of Israeli enforced apartheid on the Palestinian community. While THE IDOL has many of those