Michael says: “THE DAY AFTER is a Koren film from prolific director Hong Sang-Soo. This film that starts with our lead, Bongwan (Kwon Hae-hyo),a respected literary critic who runs his own publishing house, being accused by his wife (Cho Yun-hee)
Chris says: “Although far less prolific, I’d like to think of Debra Granik as the American Mike Leigh for her depiction (consideration, even) of the working-class without condescending to them. Not as seminal or all-out engrossing as WINTER’SBONE, but teenager
Julie says: “This was pretty interesting. The woman running the show Suzanne Mitchell reminds me of my Mom’s best friend back in Texas re some of her mannerisms in her old age. She’s a character for sure. They go back
Brett says: “Jaw-dropping cinematography perfectly fits a form-follows-function approach in which the audience eavesdrops and hovers around the tale, which is a sort of ominous love letter or thank-you note to the voiceless. Clearly a personal film for director Alfonso
At Eternity’s Gate (Switzerland/UK/France/USA; 110min.) directed by:Julian Schnabelcast: WillemDafoe; Rupert Friend; Oscar Isaac; Mads Mikkelsen; Mathieu Amalric;Emmanuelle Seignier Chrissays: “In theory, Willem Dafoe seems a misguided choice to play VanGogh, given the age difference, lack of resemblance, etc. Happily, hemakes
Chris says: “Expanding his palette beyond the more contained worlds of 45 YEARS and WEEKEND, English director Andrew Haigh adapts a Willy Vlautin novel for his first American feature. The protagonist, transient 16-year-old Charlie (Charlie Plummer) unexpectedly finds solace when he
Chris says: “The Zellner Brothers’ previous film, KUMIKO, THE TREASURE HUNTER, may end up on my top ten list for the decade, so this is a slight comedown. The less one knows going into it, the better, so I’ll just
Thom says: “This little seen independent feature is short, sweet, with a shocking ending that can do nothing but please. Of special note here is that this indie stars five must-see actors: Patricia Clarkson, Bruno Ganz, Emily Mortimer, Kristin Scott
Chris says: “The title refers to a highly-touted conceptual piece on display at a Stockholm Art Museum, but as we know, a square is not always just an object. Could it actually refer to a person, like curator Christian (Claes
Brett says: “Featuring a somewhat melodramatic style, this film from Germany showcases a touching story of art as it progresses through the decades of developing fascism before and during World War II all the way through east German socialism. As