Jason says: “Though the audience for comic books in America – and symbiotically, comic-book movies – has been growing broader in the past few years, the variety of material has lagged a bit, and we’ll probably never catch up to
Kyle says: “I pulled up the IMDB listing before watching PRESERVATION. As soon as I read the Plot Keywords (singing in a car, hunting trip, hairy chest, self surgery, hiding in a sewer pipe — there are actually 126), and
Jason says: “There are some spoofs that cast such a broad net for their targets that they maybe slip out of the category of parody altogether, and then there are things like POSSESSED which is clearly one-third THE EXORCIST, one-third
Jason says: “I’m not sure when INSIDE OUT opened in Japan, but I do wonder how many folks there saw it as less incredibly creative and insightful compared to their American counterparts, considering that the Poison Berry in My Brain
Jason says: “PORT OF CALL looks like it’s going to be a police procedural, and certainly acts like one during the early going. But then the answer to ‘who killed Wang Jiamei?’ presents itself, and Aaron Kwok’s Inspector Chong keeps
Jason says: “Even if you’re not a real fan of Indian film but just sort of generally aware of it (and maybe not even that), the cast of PIKU should make you take note: Amitabh Bachchan is an institution who
Jason says: “In a happy coincidence, the local boutique multiplex was playing PHOENIX and the new restoration of THE THIRD MAN in adjacent theaters on the night when I saw the former, and the pair would make a fantastic double feature:
Michael says: “When Will walks in on his wife Charly having just had sex with another man on their twin daughters’ fifth birthday he is thrown for a loop. A year later, he is still having trouble letting go. He
Jason says: “It’s not quite ideal that my strongest reaction to PARALLEL is to note its strong fundamentals – that the filmmakers keep a potentially-confusing picture clear is great, but this is a love story; shouldn’t that be what sticks
Jason says: “‘Dub’ Lawrence is a disconcertingly cheerful face with which to sell the idea that the militarization of American police forces is out of hand; it’s a serious, life-and-death subject to which he has a highly personal connection, and