Chris says: “A legal thriller from a director best known for his Ozu-worthy family dramas? It slots more neatly into his oeuvre than you’d expect, primarily because the mystery per se is steeped in familial relationships, only this time with
Thom says: “In nine short years Greek director Lanthimos has vaulted to my TOP 10 Living Directors. I’ve been unable to find his first two features MY BEST FRIEND and KINETTA, but his five films that followed have all received
Diane says: “Caught this Sundance winner doc at a small theater today. The central figure is a friend of director Dan Sickles’ (co-director is Antonio Santini; their first was MALA MALA). We land in the middle of the lives of
Chris says: “An admittedly frustrating but always fascinating puzzle box of a film. On the surface, it appears to be about teenager Madeline (Helena Howard), her antagonistic relationship with her single mother (Miranda July) and her after-school participation in an
Julie says: “This was a very well done doc. I recommend it. I think it painted a very clear, honest, intriguing and endearing portrait of Susanne Bartsch’s life and those around her as well as the important times in which
Chris says: “Not as sharp a political allegory as LEVIATHAN, nor does it possess that film’s necessary gallows humor (which might’ve been out of place here, anyway.) However, Andrey Zvyagintsev (whose greatest film remains his first, THE RETURN remains a
Chris says: “Naming a favorite film by Japanese director Hirokazu Kore-eda is like doing the same for his closest progenitor, Yasujiro Ozu–nearly impossible, given their tendencies to revisit and refine themes of domesticity and humanism while maintaining a higher-than-average consistency.
Chris says: “Excessively funny and appropriately dark, from the ‘musical emergency’ opening to the slapstick moving-of-the-body to a deliriously profane argument playing out in front of a small child. I may need a second viewing to determine whether this is
Chris says: “Never a movie star but definitely a character, Scotty Bowers’ life was inadvertently custom-built for a documentary. He ran a brothel inside a Hollywood Blvd. gas station in the years following World WarII, one that infamously catered to
Chris says: “Pretty consistent for what amounts to six separate stories only related by genre (in this case, the Western); also solid for a Coen Brothers film, given how scattershot the last one was. Not as fully realized as NO