Kyle says: “TOM AT THE FARM is a 2013 film (only now receiving its New York release in August 2015) by wunderkind maverick virtuoso genius-boy (as Walter Pidgeon refers to Kirk Douglas in THE BAD AND THE BEAUTIFUL) writer/director Xavier
Jason says: “It’s a bit odd that the first film from Mauritania to be nominated for an Academy Award is about Mali, but this isn’t the sort of movie that a country generally makes about itself until much later in
Jason says: “The title of THERAPY FOR A VAMPIRE (‘DER VAMPIR AUF DER COUCH’ in the original German) suggests something that may not quite be hackneyed, although I’m sure I’ve seen a vampire getting psychoanalysis before, but which is a
Jason says: “It feels a bit like giving the game away to say that THEY LOOK LIKE PEOPLE is seldom the movie it’s expected to be from the descriptions written in festival programs, which talks about how Wyatt (MacLeod Andrews)
Jason says: “As a fan of filmmakers giving me something great that I don’t necessarily expect, I was kind of already in the tank for OFFICE (aka GORGEOUS OFFICE WORKERS aka DESIGN FOR LIVING) – who expected the first time
Thom says: “I had a lot of mixed feelings about this laconic film. It’s obscure, dim, pastel color palette somehow melds well with its depressing, austere style that features an enormous number of obnoxious, repellent characters. An appealing teacher takes
Jason says: “The Western never really dies; it just picks up and moves to unexpected places in unexpected forms. In this case, that’s a coming-of-age film set in Arabia, and it’s an impressive, thrilling piece of entertainment. “The year is
Jason says: “I suspect that many watching (T)ERROR, even with plentiful assurances to the contrary, will be expecting that, by the end, a curtain will be pulled back to reveal the film as fictitious, heavy on re-enactments, or some other
Jason says: “There is a lot of bloat in TEVAR, a 157-minute Bollywood ‘thriller’ that could be remade as a direct-to-video action flick roughly half that length without particularly suffering for the revision. It’s all well and good to have
Jason says: “Director Yi Li and his crew worked for seven years on TEANA: 10000 YEARS LATER, and its looking kind of rough in spots goes to show how crazy the resources Hollywood has at its disposal are and how