Jason says: “There are a lot of ways filmmakers can be too clever for their own good, but the most frustrating involve telling the audience, in one way or another, that the thing they’ve invested their time, money, and emotions
TC says: “Director/writer John Carney does it again with this hilarious charmer about Cosmo, a 15 year old so enamored with a local girl he asks her to be in his band’s music video. When she says ‘yes,’ he and
Michael says: “The new film by Wiebke von Carolsfeld (MARION BRIDGE) has not been officially released in the States yet. It’s small distribution deal will hit this fall, but I was lucky enough to see it at the Provincetown International
Chris says: “Charming Icelandic drama about two sheep-herding brothers who, having been estranged (yet still neighbors) for 40 years must work together when illness effects both of their flocks. Pulls off the neat trick of convincing you it’s about one
Thom says: “I was totally amazed at my appreciation for this film especially because it was for all the wrong reasons, at least as my expectations went. I picked this up due to the presence of Annette Bening, the lovely
Jason says: “The festival opened with a film (400 DAYS) that covers a lot of the same territory – global cataclysm happens while astronauts are undergoing long-term isolation trials – and this one is easily much better, despite having a
Jason says: “There are likely a great many odd cross-pollinations like POLDER that even the most dedicated watchers of world cinema miss because a German art-house adaptation of a Japanese science-fiction novel would appeal to fairly specialized tastes under the
Jason says: “There’s always something a bit off about movies like PAPA though they are set in America and surround their (in this case) Chinese star with local actors, the filmmakers don’t quite know how everyday English sounds or the
Jason says: “I think that I vaguely recall the ‘Phoenix Lights’ that give this film its name; at least, there was a feeling of familiarity when the footage appeared which demonstrates that filmmaker Keith Arem has either done a nice
Michael says: “Hirokazu Kore-eda (LIKE FATHER, LIKE SON, STILL WALKING, NOBODY KNOWS, AFTER LIFE) returns with a lovely, heartfelt portrait of three sisters who discover they have a fourth sister after their estranged father passes away. They bring her into