Jason says: “What one often reads about Unmanned Aerial Vehicle strikes may lead such a person to believe that the way concern about collateral damage drives EYE IN THE SKY marks it as a fantasy, as does the stark, immediate
Lorraine says: “In January 1914, a horrible murder shook up the city of Budapest. One of the most high-profile courtesans in town, Elza Mágnás, was strangled and her body was thrown into the icy water of the Danube. DEMIMONDE chronicles
Bruce says: “Having written the screenplays for RUST AND BONE, DHEEPAN, and SAINT LAURENT Thomas Bidegain is no outsider dabbling in film. He directs his first film with the hand of a master. The acting, editing, cinematography and use of
Bruce says: “Although I have not yet seen SPOTLIGHT, I’m sure there is a comparison to be made. Both films deal with priests and abuse cover-ups. Pablo Larrain (TONY MANERO, NO) takes us to a house in a remote Chilean
Michael says: “I haven’t seen all of Kelly Reichardt’s films, but CERTAIN WOMEN is the fourth, and the most fully realized in a string of strong films including OLD JOY, WENDY & LUCY, and MEEKS’ CUTOFF. Based on a collection
Jason says: “I’ve been wrong about these things on a fairly regular basis, so I’m not going to question the American release of Mamoru Hosada’s THE BOY AND THE BEAST on the same day that the Walt Disney Company puts
Michael says: “Turkish director Nuri Bilge Ceylan has yet to let me down. I have enjoyed (now, including this one) all five of his films that I have seen, including ONCE UPON A TIME IN ANATOLIA, which scored a Chotrudis
Kyle says: “After survivors tell heartrending tales of losing loved ones to sudden heart attacks, and medical professionals argue about scans versus stents, there comes a telling moment near the end of THE WIDOWMAKER, when Wendell Potter, former Director of
Bruce says: “One of the great things about watching AMORES PERROS on DVD was the accompanying special feature that explained how dogs were trained so that no harm was actually done to them during the filming. While such technological detail
Jason says: “Toward the end of WHEN MARNIE WAS THERE, I found myself feeling a delightfully paradoxical appreciation for how it was put together: It somehow feels simultaneously surprising and inevitable, with the symbolic and the literal overlapping in ways