Chris says: “Naming a favorite film by Japanese director Hirokazu Kore-eda is like doing the same for his closest progenitor, Yasujiro Ozu–nearly impossible, given their tendencies to revisit and refine themes of domesticity and humanism while maintaining a higher-than-average consistency.
Brett says: “Jaw-dropping cinematography perfectly fits a form-follows-function approach in which the audience eavesdrops and hovers around the tale, which is a sort of ominous love letter or thank-you note to the voiceless. Clearly a personal film for director Alfonso
Brett says: “The films that stand the test of time are the ones we take home with us long after we’ve had the pleasure of experiencing them. A GHOST STORY is a visual narrative that explores the very concept of
Bruce says: “While not exactly covering new territory in terms of content,SUMMERTIME is a satisfying coming-of-age lesbian drama because of the carefully-crafted characters, beautifully brought to life by its three main actors – Izϊa Higelin, Cécile de France and Noémie
Michael says: “The new film by Wiebke von Carolsfeld (MARION BRIDGE) has not been officially released in the States yet. It’s small distribution deal will hit this fall, but I was lucky enough to see it at the Provincetown International
Bruce says: “NOCTURNAL ANIMALS brings as layered and complex a narrative as anyone will find this year, combined with an unapologetic visual style that accents every complex fold of the plot. Added to the vision of Tom Ford as it
Lorraine says: “NO GREATER LOVE is ending a festival run but will be making a theatrical run and I want to put it on your radar. “It played in the Beaufort Film Festival. I missed the screening but met the
Thom says: “Alex de la Iglesia is such a fun director that I think about him all the time. For some 23 years now he has consistently gone the extra mile to make extravagant rich entertainments that are delightfully complex
Kyle says: “MOUNTAINS MAY DEPART is only the eighth feature film by iconoclastic virtually legendary Chinese director Jia Zhangke. According to his own words during a New York Film Festival Q & A last fall, he had thought about not
Michael says: “I sure hope you got to see this when it had its very successful run earlier this year in the theaters. Greek director Yorgos Lathimos (DOGTOOTH; ALPS) brings us his first English-language film, a hilarious, dark, and pointed