Chris says: “This frenzied documentary is worthy of the hype lavished upon it. A chronicle of seven years in the lives of two bands (The Dandy Warhols and The Brian Jonestown Massacre) who start out as friends and end up
Michael says: “How delightful it was to take a break from the political docs of recent weeks to take a look at a bit of arts history. BROADWAY: THE GOLDEN YEARS is an entertaining look at the 40’s & 50’s
Chris says: “If you’re familiar with documentarian Ross McElwee’s earlier films (SHERMAN’S MARCH, TIME INDEFINITE), watching this one is like fondly catching up with an old friend. The latest, long-awaited chapter in his series of autobiographical cinematic memoirs, BRIGHT LEAVES
Bruce says: “ATTENTION, SPOILERS. “Jason Bourne is a wanted man. Trained by the CIA to be a hit man, he can’t escape his past. Although he remembers very little about his one and only CIA assignment, his dreams are offering
Chris says: “When I first heard that Richard Linklater was making a sequel to BEFORE SUNRISE, I thought, ‘What a terrible idea.’ I remember finding the first film pleasant, but not particularly wanting to sit through it again (whereas I
Bruce says: “Kathy (Manuela Martelli) is fourteen. Her father (Eduardo Barril) is in prison, her mother (Lorene Prieto) is giving in to the sexual demands of her employer to keep her job and make ends meet, and her brother (Felipe
Michael says: “APPLESEED is a action-packed anime film in the science fiction genre. Based on the comic by Masamune Shirow (GHOST IN THE SHELL), APPLESEED takes place on earth, far in the future, where much of the planet is involved
Michael says: “Tony Kushner’s Pulitzer Prize-Winning play was adapted into a 6-hour HBO miniseries a couple years ago, with stunning results. Kudos to Mike Nichols and Kushner for doing a splendid job adapting the stage play to the screen. “I
Phred says: “Occasionally when you leave a movie theater, you get a feeling of tremendous satisfaction. That’s the case for me with XX/XY. “The film opens with a young man running into the same beautiful girl twice, the second time
Michael says: “How can you not love a film that’s a bizarre melding of Hello Kitty, YELLOW SUBMARINE, ‘Betty Boop,’ and an indictment against consumerism and religion all at the same time? TAMALA 2010 : A PUNK CAT IN OUTER