Emily and Greg say: “We saw this at a midnight screening in Toronto, and it was probably the best celebrity studded night. All the stars of the film came out – Mickey Rourke, looking like a plastic rebel-rocker in black
Esmé says: “This was great and who saw it? I thought Fiennes was great, and so was the directing. Lots of cats. (A man is released from the asylum and returns to his old neighborhood where he tries to make
Michael says: “So where was everyone this evening when they should have been catching this remarkable little film? RAISING VICTOR VARGAS is a sweet, and realistic tale of adolescent relationships, a little coming-of-age, and a strong family tale set in
Bruce says: “In OWNING MAHOWNY, Dan Mahowny (Philip Seymour Hoffman) has just been promoted to Assistant Manager of a large Toronto bank when the loan sharks descend upon him. He has to come up with some money fast. Dan is
Laura says: “Director Fernando León de Aranda’s (who also cowrote with Ignacio del Moral) film won the Golden Seashell at the 2002 San Sebastian film festival, scooped up a bunch of Goyas (Spanish Academy Awards) and, mostly notably, was chosen
Chris says: “I’m so glad I managed to see this film before it left the Coolidge yesterday; MELVIN GOES TO DINNER is a smart, entertaining low budget indie about four thirtysomethings who unexpectedly meet up for dinner. Their conversations are
Bruce says: “Most films which deal with Christian religion as subject matter deal in faith and redemption. Then we have films such as THE MAGDALENE SISTERS and the brilliant Canadian film, THE BOYS OF ST. VINCENT, which focus on human
Ivy says: “What a riveting tale of the true delicate state that most films are made in. A local film production company, Central Productions, uses as their cornerstone battle the statistic that most films are never completed. So is how
Chris says: “Phillip Seymour Hoffman plays a schlub whose wife commits suicide and leaves him a note that he can’t bear to read. Instead, he finds solace in increasingly dangerous dosages of gas fumes. With a screenplay written by Hoffman’s
Howard says: “There is a point in INTOLERABLE CRUELTY where George Clooney is giving a keynote speech professing his love that is long enough to make you suspect the Coen brothers have ‘sold out’ into schmaltz. Wrong! The film, in