Michael says: “Ever since her powerful debut, the British TV Movie THIS LITTLE LIFE, and her big screen debut in 2007, BRICK LANE, I’ve been curious about director Sarah Gavron, but I hadn’t seen anything else from her until I
Michael says: “Here’s a Guatemalan horror film that features the Central American legend of ‘the wailing woman’ a spirit who returns to avenge an injustice to women, but uses the the actions of a military government that resulted in the
Diane says: “First film from collaborators Scott Monahan and Dakota Loesch, ANCHORAGE was shot in five days with a crew of ten. The director and writer also play the two leads, brothers who hit the road to sell a huge
Diane says: “RIDE THE WAVE (Martyn Robertson directs his debut doc) had something for both me and my sweetheart!: Scotland and surfing. WAVE hits highlights and lowlights of three years with Ben Larg, a young Scottish surfer who competes on
Michael says: “After seeing the great director Tsai Ming-liang’s latest film, DAYS, I decided to go back and watch his previous film, and the only of his features that I hadn’t seen, STRAY DOGS. Interestingly enough, while I was braced
Philip says: “Truman blazed a trail with his genius all the while figuring out how to overcompensate for the differences in his persona – his size, his sexuality, his speech. I commend him for being out without any attempt at
Chris says: “Nearly as dry as Bresson, Andreas Fontana’s Buenos Aires, 1980-set film implores one to put in the work into figuring out what it’s all about. Shots of a boat traveling down a foreboding stretch of river reminded me
Michael says: “When Chris mentioned recently that he caught Tsai Ming-liang’s debut feature, REBELS OF THE NEON GOD, I realized that I too had never gone back to watch this film from one of my favorite directors. What I perhaps
Michael says: “Notorious as one of moviedom’s biggest flops, Elaine May’s comedy of errors that puts two befuddled wanna-be songwriters wandering the desert outside of Morocco entangled in a complicated political plot involving the C.I.A., the Emir of Ishtar, and
Michael says: “This pseudo-Western from the early 60’s is very reminiscent of THE LAST PICTURE SHOW, from 8 years later. Both are based in Texas, and both focus on the end of an era. While PICTURE SHOW shows the decline