Diane says: “Were hundreds of Palestinians massacred in their village of Tantura in 1948? Director Alon Schwarz has created an investigation into a prior scholarly investigation into an incident in Israel’s War of Independence. His ‘star’ is Teddy Katz, whose graduate
Brett says: “Be vewy, vewy quiet. I’m hunting toxic masculinity. “Following up a powerful success of THE KILLING OF TWO LOVERS, director Robert Machoian returns with THE INTEGRITY OF JOSEPH CHAMBERS, which tangles itself up into several knots of frustration,
Chris says: “This is how you remake Fassbinder, gender-switched (or not): cast a boisterous lead (Denis Menochet) who could play him in a biopic and include a glorious running sight gag like poor, dear silent slave-twink Karl (Stefan Crepon). 4
Michael says: “I watched THE WHEEL for one reason: the female lead is played by Amber Midthunder, who captivated me in her role as Kerry, who shares a body with her brother Cary, played by Bill Irwin, in the Marvel
Brett says: “Writer/Director Lena Dunham returns to the big screen with CATHERINE CALLED BIRDY, a witty adaptation of the book of the same name by Karen Cushman. In this work, a 14-year old girl in medieval England undergoes the challenges
Brett says: “SANCTUARY explores power, identity, and trauma through a peculiar sexual relationship with a unique cinematic reality-bender format. There are only two featured characters, a dominant female sex worker and submissive male executive who finds himself struggling to find
Brett says: “Bill Nighy plays Mr. Williams in an English adaptation of Akira Kurosawa’s IKIRU. Mr. Williams has been a proper gentleman bureaucrat during his many years employed at the County Hall office. The tradeoff is that it has been
Thom says: “This is certainly going to be one of the most fun reviews to write ever (or so I thought). When my brother Chuk and I moved from Fell Street to our wonderful new apartment on Laguna Street, the
Brett says: “A very ambitious and breathtaking film, director Hlynur Pálmason’s third (and best) feature film to date goes for a full blown epic on the topic of colonialism, setting the film GODLAND in the 19th century during the dawn of photography.
Brett says: “Aesthetically soothing, frightening, trippy, and feverish all in perfect rhythm with whichever atmosphere the scene calls for at the time, one way to introduce the film DAWN BREAKS BEHIND THE EYES is to go ahead and establish that’s