Michael says: “A forty-year-old, South Korean movie producer finds herself adrift in a mid-life crisis when the talented director she has collaborated with for years dies unexpectedly. When this turn of events suddenly finds her unable to find work, Chan-sil
Philip says: “You get from the film how much of a hard worker and how focused Pink is. She takes the role of Mom just as seriously as she has taken her career as a singer songwriter. The doc turns
Michael says: “Anyone who knows me, knows that this documentary, that follows the evolution of the female superhero characters in comics from the 1940s up to today, is made for me. As a self-avowed super-heroine advocate, i rejoice in an
Philip says: “SINGLE ALL THE WAY closely follows the formula of romantic holiday movies but adds the importance of LGBTQ representation and just as importantly models the behavior family’s should display supporting their gay kids. Add this to your list
Michael says: “AYAR is an experimental, compelling film that blends the real life stories of the actors involved, with a fictional narrative about three generations of immigrant women exploring complex mother/daughter relationships and the difficult choices that they face. Ayar wants
Chris says: “Not as shaggy or wacky as INHERENT VICE but pretty damn close at times. Magnificently directed, as usual. Could’ve done without the whole Penn/Waits sequence but only if it allowed time for more Hoffman/Haim sparring–at peak moments, their
Brett says: “Director Mike Mills is up to Mike Mills things once again with another A24 home-run in C’MON C’MON. Show up for the enthralling dialogue, stay for the emotional tug-of-wars (yes, plural), and leave with a lump in your
Chris says: “Felt a little redundant at first until it became apparent how what initially appears as a rehash evolves into a continuation and that the whole project is really Joanna Hogg’s KILL BILL: a four-hour epic cut into halfsies.
Michael says: “What sounds like a sordid plot from the trashy soap opera is handled with intelligence and care, and bolstered by remarkable lead performances to become a portrait of the collective trauma that is running rampant through small towns
Michael says: “It’s nice to see Isabelle Huppert still in fine form, leading a lively cast through a bit of a crime romp about some drug smugglers. Huppert plays Patience, a French-Arabic translator for the Paris police anti-narcotics unit, who interprets