Chris says: “Really cool production design does what it can to enhance a perfectly adequate narrative. Denis Lavant appears briefly (just call him ‘One Scene Denis’) because he can. 3 cats”
Michael says: “Apparently based on an uber-popular YA novel, the film is clumsy, beautiful, trite, and beautiful all at the same time. While it follows a formula that screams teen fiction there are some moments that work so perfectly, that
Chris says: “Historical melodrama that takes a while to get where it’s going, although it eventually arrives (e.g. the stowaway sequence) and then unpredictably goes a little batshit after that. Docked at least half a star for how clumsily it
Michael says: “Two insomniacs. Zach, finally gives up at 3:45am, after tossing, turning, exercising… then heading down to the neighborhood bodega where he lives in Brooklyn. For Sophia, it’s a cup of tea, some old Dick Van Dyke reruns, then down
Michael says: “SON OF MONARCHS is a challenging film to watch, as surely as it must have been a challenging film to make. Unfortunately, between the ambitiousness of its content, coupled with the splicing together of genetics, family trauma, and
Michael says; ‘What is basically a coming-of-age tale disguised as a war movie, MOFFIE is a South African film based on a popular apartheid-era memoir about a privileged, white, young man who is being sent off to this mandatory two
Diane says: “A 15-year-old with promise is dropped off—abandoned?—by her mother at a ski school in the Alps. As the coach’s strict methods and humiliations motivate her to win, they develop a one-to-one relationship, working and intimate. The film has
Diane says: “Director Rossana Díaz Costa gets her own adaptation of this preeminent Latin American novel on screen in time for the novel’s 50th anniversary. Julius is the youngest of four children in a wealthy family living palatially in Lima, Peru
Diane says: “In WE BURN LIKE THIS, Rae, a young woman living in Billings, MT, calls upon her heritage of survivorship to begin to face childhood trauma and present-day addictions. Filmmaker Alana Waksman packs a little too much thematically into
Michael says: “Often mentioned as one of the best examples of film noir, I thought I should check out this novel adaptation from 1946. An entertaining romp, to be sure, but it doesn’t have the charisma and appeal as those