Michael says: “Like a longer version of a good episode of Black Mirror as a woman travels back in time to prevent her husband’s death… but that’s good, isn’t it? Judy Greer is terrific. 3 cats “(Available streaming on Hulu; For
Chris says: “Probably funnier than 2003’s CAMP; also, it’s not quite WAITING FOR GUFFMAN but much closer to it than I was expecting. Upon watching this months ago, I wrote, ‘Give Noah Galvin his Independent Spirit Award nomination already,’ and
Diane says: “‘No one wants to be a psychopath.’ Signe takes a perverse route to get attention and even fame, when she’s neglected by her rising artist boyfriend. Funny, weird Norwegian satire with a cameo by my fave Anders Danielsen
Brett says: “The genre western-comedy does not exactly have a long list of acclaimed representatives to its credit. In fact, the all-around rugged, image-conscious, hidden-emotions heroic quality of westerns usually means that attaching the word comedy to it is an
Tom M. says: “Had a great time at CONFESSIONS OF A GOOD SAMARITAN. Penny Lane is such a trip and the kidney donation narrative had a personal tie for me.” Diane says: “Documentary director Penny Lane (LISTENING TO KENNY G,
Diane says: “My third film ‘at’ Sundance: “Young Indonesian rapper James arrives in Hawaii to record his first album. He’s recently dumped his father as manager, replacing him with a much more savvy woman from LA. But Dad won’t stay
Diane says: “Based on a story that appeared in the New Yorker a few years ago and ignited controversy, this 2-hour adaptation takes us out of the narrator’s head and pushes Margaret Atwood’s observation as far as it can go:
Michael says: “Claire, you had me for almost 90 minutes until Joe Alwyn’s Daniel blurts out a painfully earnest, but still sadly wooden ‘I love you,” to Margaret Qualley’s Trish in this erotic political thriller. I guffawed so suddenly that Eddy
Chris says: “Emily Watson always had a bit of an old soul in her and she’s aged brilliantly into the archetype you’d want to carry the weight of the world on her shoulders. She also adds heft to a beautifully
Michael says: “This ambitious science fiction film takes the viewer into a post-apocalyptic dystopia where animals have been wiped out, wealthy, privileged humans live in protected enclaves, the rest of humanity struggle for food, water and shelter in an inhospitable