Chris says: “A triumph of production design and tone rather than story, though Florence Pugh is so convincingly invested in it one’s almost inclined to actually buy it. And I’d leave it at that if it weren’t for those opening
Chris says: “At 160 minutes, it’s too much of a good thing (the hour-long chunks of the original miniseries were ideal in that regard) and I would’ve rather digested this as the two separate halves in which it presents itself.
Chris says: “The latest from writer/director James Gray is almost nakedly autobiographical. His 11-year-old alter ego, Paul (Banks Repeta) lives in Queens, 1980 (as Gray did), the younger son of a middle-class Jewish-American family whose grandfather (Anthony Hopkins) arrived at
Chris says: “Standard talking heads doc that’s nonetheless zippy thanks to the quality of the interviewees (you can never go wrong with Mel Brooks in one of these) and an abundance of archival photos and footage that tell you everything
Chris says: “Kind of an upper-middle class Scottish take on THE ARBOR with Alan Cumming lip-syncing the testimony of the main subject, who did not want to be filmed (for good reason, as you’ll see.) Altogether a fascinating subject and
Chris says: “Well, there is a shot of the moon. I didn’t count to see if there are, in fact, as many questions as the title promises. Regardless, much of this Greek feature is good and unique and ambitious, but,
Chris says: “Production design’s less invasive and conceptually it’s far more theoretical than what came before, but it’s still a Peter Strickland film, one centered on desire, tenacity, taboo and general weirdness. Headier thrills for sure, but also a tad
Brett says: “NANNY is a hybrid genre film based loosely on the story of director Nikyatu Jusu’s own mother and her experience with domestic work in New York City. The genre elements include West African folklore to amplify the horror
Brett says: “KNIVES OUT scratched an itch in audiences that they may have not known they even had when the first film in the franchise revived a standard for classic murder mystery characters in a refreshing new standard of modern