Bruce says: “Billed as a rap musical TERANGA BLUES does indeed feature a character who is a rap singer recently deported from France and forced to return to Senegal with only 20 Euros to his name; however, Madiké (Lord Alajiman)
Bruce says: “When Roger Ebert named Kasi Lemmons’ EVE’S BAYOU his film of the year for 1997, I was totally perplexed. Thick with plot, the film never delved very deep into its characters. They spoke volumes and lots happened; but
Michael says: “After leaving the theatre, Jeff asked me if I liked science fiction movies. I told him that I liked reading science fiction, but that there were very few good science fiction movies. Unfortunately, SUNSHINE does not buck this
Bruce says: “SUMMER PALACE created quite a sensation when director Lou Ye defied Chinese censorship and refused to edit this film before screening it at the Cannes Film Festival. I do agree with the Chinese government that SUMMER PALACE needs
Chris says: “To paraphrase an expression one of my colleagues loves to use, I am so over Michael Moore. His earlier movies and TV shows were amusing and unsettling in equal amounts, but he jumped the shark with FAHRENHEIT 911,
Michael says: “It took Tamara Jenkins nearly ten years to release this follow-up to her critically acclaimed, debut feature, 1998’s THE SLUMS OF BEVERLY HILLS. In that time, she shifted her focus from the west coast to the east, from
Michael says: “The synopsis of ROW HARD, NO EXCUSES is pretty simple: two men enter a competition to row across the Atlantic Ocean. First-time documentary filmmaker Luke Wolbach chronicles the men’s journey to the race and across the Atlantic, while
Michael says: “I’m not a fan of war films, but leave it Werner Herzog to get me to go to one, and even to enjoy it for the most part. Of course, in most ways, RESCUE DAWN isn’t your typical
Bruce says: “Alain Resnais is eighty four and by now must have had plenty experience feeling lonely. PRIVATE FEARS IN PUBLIC PLACES is all about loneliness and appears the work of a subject matter expert. Theirry (André Dussollier) is a
Jason says: “For PERFECT CREATURE, the question of ‘what if vampires were real’ isn’t quite good enough; it asks what if vampires were real, but instead of being feared, they were objects of worship? It’s kind of a dodgy idea,