Michael says: “It took Tamara Jenkins nearly ten years to release this follow-up to her critically acclaimed, debut feature, 1998’s THE SLUMS OF BEVERLY HILLS. In that time, she shifted her focus from the west coast to the east, from
Michael says: “The synopsis of ROW HARD, NO EXCUSES is pretty simple: two men enter a competition to row across the Atlantic Ocean. First-time documentary filmmaker Luke Wolbach chronicles the men’s journey to the race and across the Atlantic, while
Michael says: “I’m not a fan of war films, but leave it Werner Herzog to get me to go to one, and even to enjoy it for the most part. Of course, in most ways, RESCUE DAWN isn’t your typical
Bruce says: “Alain Resnais is eighty four and by now must have had plenty experience feeling lonely. PRIVATE FEARS IN PUBLIC PLACES is all about loneliness and appears the work of a subject matter expert. Theirry (André Dussollier) is a
Jason says: “For PERFECT CREATURE, the question of ‘what if vampires were real’ isn’t quite good enough; it asks what if vampires were real, but instead of being feared, they were objects of worship? It’s kind of a dodgy idea,
Bruce says: “The African films I’ve seen recently have all been quite melodramatic; THE NARROW PATH is no exception. Awero (Sola Asedeko), a young village girl is beautiful and much in demand as a potential wife for men in neighboring
Michael says: “That MO got made is something to admire, at the very least. Making a feature film is no easy thing, and even though the subject clearly means a lot to director Brian Lederman, it takes more than one
Bruce says: “The film starts out with a home movie of ‘The Day I Got Pregnant.’ Hermila dances around the beach with a blue blanket. She was determined to make this day ‘the happiest day of her life or die
Michael says: “In the world of documentaries I am often left thinking, how did the filmmaker find that story? Other times I think, they really put that film together well to make it a compelling story. Seth Gordon’s THE KING
Michael says: “This is one of those films that I find very difficult to review. Focusing on the horrific plight of the homosexual Muslim, it’s an important film with a story that needs to be told, yet as a film