Bruce says: “Fedor (Aleksei Kravchenko) is a happy man. He and his partner drive large trucks from town to town, drinking vodka and picking up women. Fedor connects with various women everywhere he goes but he also appreciates the occasional
Bruce says: “**Spoilers** “THE FISH CHILD is taboo director Lucia Puenzo’s follow-up to the remarkable XXY. Based on her own novel, the multilayered story unfolds with flashbacks through different periods of time, creating a jigsaw effect. The storyline is complex
Jason says: “As much as I (and most critics, I imagine) am happy to shred a movie that relies too heavily on coincidence and seemingly random events. After all, at some point, the characters should succeed based on their own
Jason says: “My first reaction to THE EYES OF ME was ‘okay, for a movie whose natural home is local public television.’ That’s at least a bit unfair – there’s really nothing in it that would limit its appeal to
Jason says: “For a movie about a great inventor, EDISON AND LEO is curiously lacking in spark. There are moments of quirky inspiration, but they’re quickly followed by fairly uninspired bits of meanness, ultimately wasting some fine animation. “George T.
Jason says: “Although reasonable people may disagree on just what constitutes ‘good freaky’ versus ‘bad freaky,’ they will most likely acknowledge that there is a difference. Many of those familiar with the work of Korean auteur Kim Ki-duk will further
Diane says: “IL DIVO is difficult for Americans to understand. One has to know the Italian political scene to appreciate who the actors are and the machinations. Reading subtitles for the Italian dialogue doesn’t leave time to catch the original
Bruce says: “Too often a documentary does not present an equitable view of its subject. Filmmaker Yoav Shamir seems to have gone out of his way to present a balanced view of anti-Semitism in DEFAMATION. Nonetheless, his efforts seem to
Jason says: “DEAD SNOW doesn’t need a whole lot of reviewing. It’s the movie with the zombie Nazis, and if the mention of the phrase ‘zombie Nazis’ makes a person say ‘tell me more,’ what he really means is ‘tell
Diane says: “I am not a fan of Keats, so the poetry recitation made for some sections of longueur in BRIGHT STAR. Jane Campion’s film of the poet’s romance with Fanny Brawne is very pretty, with shots that call attention