Jason says: “NO MERCY FOR THE RUDE isn’t exactly the movie its English-language title would imply. The name implies some sort of satire or that the rudeness is important, and that’s not really where this movie’s going. It’s a much
Jason says: “Johnny Cash never did time, but his name will forever be associated with California’s Folsom State Prison; a great song and a great album will do that. The Folsom Prison concert is a definitive moment in Cash’s career,
Jason says: “IN/SIGNIFICANT OTHERS is the very definition of an average movie. No moment raises a flag – well, okay, some do, but they may be among the film’s most interesting, at least in hindsight. No actors perform poorly. No
Jason says: “David Russo had a bunch of nifty ideas that he threw into THE IMMACULATE CONCEPTION OF LITTLE DIZZLE, and they’re the kind of ideas that work as part of this sort of strange stew movie – not big
Jason says: “It is one of the oldest tricks in the book, despite having rather limited success, as far as I can tell: Take a franchise that has seen better days and revive it, only the new protagonist is no
Thom says: “Dante seems to be stuck in a child/scary mode with most of his feature films (GREMLINS is a good example) and while does have a fun quotient it’s not very special. Two brothers who have moved to a
Thom says: “If sincerity was the byword of film art this would have been best-in-show. In this case though, the film simply lacks interest. A country family is followed as they try to get by in a changing world. Prices
Jason says: “One of the signs of a particularly good comedy – or any sort of movie, really – is when there are funny or interesting things happening in the corners; stuff that the movie doesn’t need but which make
Jason says: “When a child is born in a fantastical serial, whether it be television, comics, or movie sequels, there is almost inevitably some plot twist that ages him/her rapidly, or jumps the audience forward in time, or otherwise presents
Diane says: “I’m not as crazy about GOODBYE SOLO as the reviewers have been. Let’s call it THE VISITOR meets A TASTE OF CHERRY–a suicidal middle-aged white American man is thrown into the lively world of a Senegalese cab driver.