Michael says: “This stylized autobiography of a precocious gay boy growing up in Russia, his mail-order bride mother, and their escape to American is sweet and clever, with a few awkward moments, but overall and entertaining jaunt. The first half
Chris says: “BeBe Zahara Benet won the first season of RUPAUL’S DRAG RACE, but that was back in 2009 when the show’s cultural footprint was comparatively microscopic to now. Although Benet has reemerged in the spotlight, thanks to a final four
Michael says: “Vivian Kleiman’s documentary about the emergence of queer comics as an underground force, and eventually as a mainstream pop offering, is a good introduction to the subject. It mainly focuses on some of the pioneers who started the
Michael says: “Easy money and investments gone wrong power this downward spiral of a film about Yang Hua, a young man flexing his entrepreneurial spirit to make some big money. His first plan, a dinosaur park on the outskirts of
Michael says: “I’m not really sure what prompted me to watch this film, which basically tells three intertwined stories about guests at a college house party in Austin, TX. I guess I was swayed by some of the positive reviews
Bob says: “A dairy farmer in a rural county of Iceland is sinking deeper into debt, and finds out that her husband, under duress, had been ratting out his neighbors when they went behind the back of the local farm
Diane says: “Romanian comedy TWO LOTTERY TICKETS (Paul Negoescu, director) was good for a post-Icelandic-film palate cleanser. A suburban trio of bumbling stooges gets in over their naive heads as they follow a trail to find a misplaced winning ticket. ‘We
Michael says: “I must meekly confess that I watched this curious modern gothic film adapted from a Shirley Jackson tale because I have developed a bit of a crush on Sebastian Stan (The Winter Solder from the Marvel Universe). However,
Brett says: “From Director Ben Wheatley comes this eerie tale whose paranoia and alarm runs parallel to the global COVID-19 pandemic, but as the viewer soon discovers, this is no “Coronavirus: The Movie.” “After an establishing montage of the haunting,
Chris says: “Worth watching for Ed Helms and Patti Harrison, both of whom have rarely been more understated; however, the narrative might’ve benefited from being less understated, as much insight as it had on the practice of surrogacy. 3 cats“