Michael says: “Wim Wenders’ latest film based on a play by Sam Shepard relies a little too much on forced whimsy to be truly successful. When an aging matinee idol discovers that he fathered a child years ago, he returns
Michael says: “Before seeing BRICK, Rian Johnson’s debut feature that combines lays the Noir genre over a high school setting, Beth said, ‘it’s sounding from reviews that you either buy into the conceit and enjoy the film, or you don’t
Michael says: “LE BONHEUR C’EST UNE CHANSON TRISTE was presented at the Brattle Theatre by the Quebec Delegation of the Canadian Consulate. I would like to see more presentations such as this; we miss out on a lot of exciting
Michael says: “Alejandro González Iñárritu’s third feature to be released in the U.S. is a sprawling mess with a lot of intriguing ideas, but with way too much story for one film. It’s also a film with a message, and
Bruce says: “The French really know how to capture self-absorption. When it works for me as in the current LOOK AT ME, it is a joy. Other recent films such as RED LIGHTS, LOVE ME IF YOU DARE, KINGS AND
Chadd says: “To begin our spate of ‘Rockumentaries’ in 2005, we have this film centered around the Flaming Lips. Though the film presents many good stories about the band, its members, and its members’ exploits, it ultimately is not a
Chris says: “First-time director Liev Schreiber probably couldn’t picked a more difficult book to adapt than Jonathan Safran Foer’s eccentric first novel. Cutting out most of the book’s flashbacks and folk tales, Schreiber sticks to the main, linear narrative where
Michael says: “In what was surprisingly a disappointing film at the Festival (not because it was bad, but because of what McKellar has already produced), CHILDSTAR is the second film written and directed by Canadian talent Don McKellar after the
Michael says: “Two days later, and BRIDE AND PREJUDICE is pretty disappointing. While I wasn’t expecting much more than some sweet, fluffy, Bollywood-inspired fun, there was very little that has lasted these couple of days (except maybe the image of
Michael says: “I decided to check out this trifle of a film because Daniel Auteuil (THE WIDOW OF ST. PIERRE, THE GIRL ON THE BRIDGE) was the star. Shades of THE CLOSET, APRÈS VOUS, is, for the most part, a