Michael says: “Is it a nostalgia piece looking back on working class lives on Long Island in the late 70’s? Is it a tale of big corporations taking the livelihoods of the individual? Is it a coming-of-age story about a
Bruce says: “From the time they first formed Merchant Ivory Productions in 1961 producer Ishmael Merchant and director James Ivory worked together on twenty seven films, the most lauded of which are THE REMAINS OF THE DAY, MAURICE, A ROOM
Michael says: “Rupert Murray’s documentary, UNKNOWN WHITE MALE documents the bizarre, unsettling journey of his friend Doug Bruce, a successful stockbroker who woke up on a subway with no memory of who he was. It is a curious look at
Michael says: “Susan Kaplan’s documentary follows the 13-year relationship of Sam, Steven and Samantha. Sam and Steven are two men who met in college and were enjoying a committed, long-term relationship. When Sam suggests having a woman enter the relationship,
Michael says: “This independent film has the feel of a studio picture, with a straight-forward narrative, that hits all the right moments and hammers them home. Basically a nostalgia piece, telling the tale of a young German woman who came
Michael says: “Despite the local interest and fascinating subject; the notorious art-theft at Boston’s Isabella Stewart Gardner Museum, STOLEN proves the adage, ‘there’s not much there there.’ Director Rebecca Dreyfus focuses on famous art-theft detective Harold J. Smith, who could
Bruce says: “**SPOILERS** “In my opinion Ferzen Ozpetek’s films have improved with every film he has made beginning with STEAM , followed up by HIS SECRET LIFE and FACING WINDOWS. I unhappily report that SACRED HEART (CUORE SACRO in Italian)
Michael says: “Wim Wenders’ latest film based on a play by Sam Shepard relies a little too much on forced whimsy to be truly successful. When an aging matinee idol discovers that he fathered a child years ago, he returns
Michael says: “Before seeing BRICK, Rian Johnson’s debut feature that combines lays the Noir genre over a high school setting, Beth said, ‘it’s sounding from reviews that you either buy into the conceit and enjoy the film, or you don’t
Michael says: “LE BONHEUR C’EST UNE CHANSON TRISTE was presented at the Brattle Theatre by the Quebec Delegation of the Canadian Consulate. I would like to see more presentations such as this; we miss out on a lot of exciting