Bruce says: “I would recommend this film for groups of people to see together, not so they might learn something new but as a catalyst for discussion on Iraq and its future. To adequately discuss the future one must necessarily
Bruce says: “SPOILER ALERT! Anyone who has been to a car show knows about concept cars. L’INTRUS is a film equivalent: a concept film. Finished less than a week before its world premiere in Toronto, L’INTRUS was inspired by the
Bruce says: “Spike Lee is one of four directors who have defined New York City on film over the past six decades. The others are Woody Allen, Sidney Lumet, and Martin Scorsese. Early in Lee’s career it appeared he was
Michael says: “There is a lovely sense of foreboding and mystery in INNOCENCE, but the failure of the film to deliver any sort of payoff make it one of the losers of the festival. Director Lucile Hadzihalilovic is the girlfriend
Chris says: “Instead of a filming a completed screenplay, David Lynch took a piecemeal approach to making INLAND EMPIRE: encouraged by the physical freedom a toy-sized digital video camera allows, he would think of an idea, write it down, and
Bruce says: “For the past twenty years Al Gore has been pursuing environmental issues and he has spent the past seven years touring the world with his environmental lectures focused on global warming. AN INCONVENIENT TRUTH, based on Gore’s road
Michael says: “What would you do if moments before saying ‘I do’ at your wedding, you lock eyes with your soul mate, and it’s not the man you’re marrying. To complicate matters, it happens to be a woman and you’re
Michael says: “Caveh Zahedi is a bit of a cult figure in the independent film world. Many people first saw him as an animated character in Richard Linklater’s WAKING LIFE. He was involved in a pivotal conversation about ‘the holy
Michael says: “Brazilian filmmaker Andrucha Waddington’s visual tour de force HOUSE OF SAND takes advantage of the spectacular, desolate landscape of the desert dunes in Northern Brazil, but benefits even more from the unparalleled acting of its two leads actresses,
Michael says: “With over 60 films under is directorial belt, Yôji Yamada follows up his Chlotrudis Award nominated TWILIGHT SAMURAI with this lovely film THE HIDDEN BLADE. Munezo, like Seibei, the title character in TWILIGHT SAMURAI, is a true samurai
Bruce says: “According to Cartier-Bresson photography is all about geometry and structure. During the course of the film, Cartier-Bresson looks at his photos with great pleasure and affection and often explains their cultural context to the camera. His photographs often
Michael says: “Laurent Cantet follows up his compelling TIME OUT with a complex tale of political, sexual, and racial issues set in Haiti. Three middle-aged, American women spend extended time at a resort in Haiti where their every need is
Michael says: “It’s difficult reviewing a film that has been so anticipated, and has been much discussed and speculated about for months before its actual release. Fortunately, HARD CANDY is a film, that while not perfect, lives up to the
Beth says: “Kore-eda’s newest. He was there, and spoke eloquently before the film (I couldn’t stay for the Q&A). He basically said, ‘this is my first period piece, I wanted to do a samurai film that sort of felt the
Beth says: “Apologies I don’t have a reference nearby and don’t exactly remember the director’s name, but he did TURTLES CAN FLY, a previous TIFF favorite. Like all of his films, this one dealt with the lives of the Kurdish
Chris says: “Dan Dunne (Ryan Gosling), a young, white history teacher and girls’ basketball coach in a mostly black Brooklyn middle school would seem like the ideal mentor. Eschewing the required curriculum, he genuinely inspires his students to think about
Michael says: “GREAT NEW WONDERFUL is being billed as a 9/11 comedy, and the film is funny, and is also tangentially about the events of September 11, 2001, but for me this film falls squarely into the category of drama
Bruce says: “This film is the story of Fontaine Leglou (Emmanuelle Devos) who is caught by surprise when the man she lives with (Bruno Todeschini) proposes marriage. Why is it so difficult to say ‘yes’ to what every woman is
Michael says: “This brief documentary takes a look at a very delineated period of time; when gay men embraced their sexuality with relish. This era begins with the Stonewall riots in 1967 and ends with the coming of A.I.D.S. in
Bruce says: “Friends or acquaintances often groan when the topic of French cinema is raised. I’m mostly puzzled by anyone who categorically dismisses French cinema. GARDENS IN AUTUMN is a film which helps me understand that position. Director Iosseliani has