Michael says: “It’s nice to see a movie not about two people falling in love and living happily ever after, but two people embarking on a relationship that doesn’t work leaving on with a broken heart. That is the premise
Beth Curran says: “Michael will be very happy. So far (end of Day 4) this is my favorite film of the festival. It’s a character study, a few days or so in the lives of a father and adult daughter
Bruce says: “Years from now there is no doubt in my mind that Jia ZhangKe will be considered one of the great documentarians of the great Chinese migration from a planned economy to a market-driven economy. 24 CITY is a
Jason says: “Writer/Director Tim McCanlies described THE 2 BOBS as his attempt to do a Kevin Smith movie, which is funny since Smith most recently released his attempt at a Judd Apatow movie. Depending how you define that, he’s either
Michael says: “The Canadian film YOUNG PEOPLE FUCKING (which Netflix has so coyly renamed YPF) won the award for Best First Feature at the 2007 Toronto International Film Festival. While it raised some eyebrows with its storyline of 4 couples
Carolyn says: “I don’t recall if there was a motive behind teaching these older people to sing fun songs. But it was enjoyable to see them struggle with new songs and then hear them perform when they have mastered the
Bruce says: “Three ideas for a story converge in THE YEAR MY PARENTS WENT ON VACATION: the 1970 World Cup Games in which Pele led his country to their third world championship; the insularity of the Jewish community in Sao
Bruce says: “In film, difficult subject matter is always a favorite domain of mine providing it is in good hands. With XXY, director Lucia Puenzo – daughter of Luis Puenxo whose THE OFFICIAL STORY is perhaps the most famous film
Gil & Amanda say: “Comeback of the year! Mickey Rourke is Randy ‘The Ram’ Robinson, a washed-up professional wrestler whose glory days are long-gone. Instead of playing to sold-out shows at Madison Square Garden, Robinson must now settle for wrestling
Bruce says: “**SPOILERS** “WONDERFUL TOWN is a good example of a film well-executed but ill-conceived. I may be partially at fault for not properly managing my expectations but WONDERFUL TOWN takes an unforeseen turn that I find unforgiving. “Ton is
Michael says: “What a delightful evening in the Wintergarden theatre spent enjoying the world premiere of Guy Maddin’s pseudo-documentary MY WINNIPEG. Maddin was challenged by the Documentary channel to make a doc on his hometown of Winnipeg, and Maddin being
Bruce says: “Albert and David Maysles were trailblazers in documentary filmmaking. Their cinema verité style has been adopted by countless filmmakers laboring in their wake. GREY GARDENS, voted as the #1 Documentary Film among Chlotrudis members, is one of the
Bruce says: “WHITE NIGHT WEDDING is loosely based on Chekhov’s little-known, first full length play, Ivanov. Jon (Hilmir Snær Guðnason) is a local professor who bought a house on Flatey Island, Iceland’s northernmost island, when his wife Anna was still
Jason says: “Music doesn’t interest me nearly as much as movies do, and I grew up on the East Coast besides, so it’s not exactly surprising that I’d never heard of short-lived (but apparently influential) Los Angeles punk band The
Michael says: “Based on the short film FAIRIES (which was entered into the Chlotrudis Short Film Festival a few years ago) WERE THE WORLD MINE focuses on Timothy a young gay high school student who, after winning the role of
Bruce says: “Kelly Reichardt from the looks of things is the modern chronicler of quiet desperation. WENDY AND LUCY is similar in many ways to her critically acclaimed earlier work, OLD JOY. The story is sparse, almost non-existent. There are
Michael says: “This lovely French film dives deep into the world of adolescent girls and budding sexuality. Marie watches from the outside, while her friend Floriane, and the object of her desire, Anne, perform and compete in the world of
Jason says: “Not really close to the thematic sequel to GROSSE POINTE BLANK that some are trying to paint it as, despite sharing John Cusack as a hitman and Joan Cusack and Dan Aykroyd in supporting roles. It’s an angrier
Michael says: “Just because a film’s subject matter is powerful doesn’t mean it will be well-executed. That was the situation I found with WALTZ WITH BASHIR, Ari Folman’s acclaimed, animated documentary that details the director’s quest to uncover his repressed
Bruce says: “W. works as a conversation piece; were the film hilarious, educational or consciousness raising in any way, it would have redeeming qualities. There is no apparent reason to make such a film and no reason to see it.