Bruce says: “**SPOILERS** “As the film begins we see Irena (Kseniya Rappoport) talking to the doorman of a luxury apartment building. She talks her way into becoming the charwoman for the public areas and soon she finagles her way into
Jay says: “At some point, Brett Harvey and Adam Scorgie should probably have changed the name of their documentary on the underground marijuana industry; the Union of the title isn’t mentioned until at least halfway through. THE UNION: THE BUSINESS
Bruce says: “The Spanish are becoming quite proficient in the farce department. This delightful comedy is a period piece involving a Freud disciple named León (Alex Brendemühl) who suddenly disappears thereby creating havoc in his intersecting professional and family circles.
Bruce says: “It is not necessary to see Johnnie To’s ELECTION before seeing TRIAD ELECTION but I would strongly recommend it, particularly for anyone who plans to see both films. In TRIAD ELECTION, two years have passed since the bloodshed
Jay says: “TRADE plays pretty rough, which is as it should be. If it didn’t, it could easily become just a suspense story that offers a thrill of horror rather than a nasty bit of business with just enough familiar
Beth says: “The latest from Korea’s Kim Ki-duk. A woman undergoes secret cosmetic surgery then reappears as a new woman who romances her boyfriend – is it the ultimate sacrifice, to make yourself anew for love, or the ultimate test,
Michael says: “I caught this back in December but never got around to reviewing it. I have to tell you I was giddy for hours… even days after seeing Paul Thomas Anderson’s decidedly bizarre adaptation of Upton Sinclair’s novel, Oil.
Bruce says: “Billed as a rap musical TERANGA BLUES does indeed feature a character who is a rap singer recently deported from France and forced to return to Senegal with only 20 Euros to his name; however, Madiké (Lord Alajiman)
Michael says: “I had been looking forward to THE TEN, David Wain’s follow-up to WET HOT AMERICAN SUMMER, since I read about Winona Ryder playing a woman how has a relationship with a stolen ventriloquist’s dummy. THE TEN is an
Jay says: “The decaying city is a staple of anime and science fiction (though TEKKON KINKREET doesn’t really fit that genre). It appears in many conventional urban genres, too, but they seldom have the ability to really show the audience
Michael says: “This buried treasure nominee is a visual feast, part Romeo & Juliet, part cowboy cum gangster flick, part wacky farce. Dum and Rampoey are have been in love since they first met as children, but different social classes
Jay says: “TEAM EVEREST means to inspire you. It exists for that. Even if Andy Cockrum hadn’t been along to make a movie, the expedition it chronicles was still put together in order to inspire disabled people, by showing that
Bruce says: “György Pálfi’s HUKKLE remains one of the most off-the-wall films I have ever seen; needless to say I was excited that he had a new film at Tribeca. In ways TAXIDERMIA is every bit as interesting in concept;
Bruce says: “When Roger Ebert named Kasi Lemmons’ EVE’S BAYOU his film of the year for 1997, I was totally perplexed. Thick with plot, the film never delved very deep into its characters. They spoke volumes and lots happened; but
Michael says: “After leaving the theatre, Jeff asked me if I liked science fiction movies. I told him that I liked reading science fiction, but that there were very few good science fiction movies. Unfortunately, SUNSHINE does not buck this
Michael says: “SUNFLOWER is Chinese director Zhang Yang’s autobiographical look at the relationship between a father and son across three turbulent decades in China. Xiangyang is born in 1967 during the Cultural Revolution. As an infant, his father, Gengnian, is
Chris says: “It’s easy for most of us to forget what it feels like to be a child, especially if you don’t work with children or aren’t a parent. Bradley Beesley and Sarah Price’s straightforward but affecting documentary unerringly captures
Bruce says: “SUMMER PALACE created quite a sensation when director Lou Ye defied Chinese censorship and refused to edit this film before screening it at the Cannes Film Festival. I do agree with the Chinese government that SUMMER PALACE needs
Jason says: “STRENGTH AND HONOUR is likely not a movie I see outside of a festival setting, because it looked to combine a couple of genres I’m not particularly fond of – the ‘poor and miserable Irish people’ movie and
Michael says: “STEPHANIE DALEY is a small, indie film that had a brief run in Boston back in May. It starred Tilda Swinton (THE DEEP END; TEKNOLUST) and Amber Tamblyn (THE SISTERHOOD OF THE TRAVELING PANTS), and got fairly positive