Jason says: “You know how most monster movies start out in the country or suburbs with the nasty stuff reaching the city something to be avoided at all costs? INFESTATION starts after that’s happened. After giving us a few minutes
Bruce says: “Occasionally a new director comes along who seems absolutely destined for greatness. After seeing INDEPENDENCIA, I would put Raya Martin on the list of directors to watch. Although INDEPENDENCIA is not a great film it does portend wonderful
Jason says: “The film opens with the Prime Minister’s Director of Communications, Malcolm Tucker (Peter Capaldi), flipping his lid because a government minister said that a situation in the Middle East escalating to war was ‘unforeseeable,’ a dangerously absolute phrase
Bruce says: “There is enough interesting subject matter in THE IMPORTANCE OF BEING ELEGANT to make at least two documentaries. As it stands, the film that has been made is sorely lacking in focus and depth. High fashion wars among
Jason says: “David Russo had a bunch of nifty ideas that he threw into THE IMMACULATE CONCEPTION OF LITTLE DIZZLE, and they’re the kind of ideas that work as part of this sort of strange stew movie – not big
Jason says: “Ordinarily, when good people make a bad movie, there’s a tendency to hunt for where things went wrong. THE IMAGINARIUM OF DOCTOR PARNASSUS offers an obvious and logical culprit: The sudden death of its star, Heath Ledger, midway
Michael says: “While certainly doing something different than what the festival circuit is used to regarding Philippine cinema, i.e. avoiding the slums and focusing on a more middle-class family, IF I KNEW WHAT YOU SAID ends up coming across like
Jason says: “It is one of the oldest tricks in the book, despite having rather limited success, as far as I can tell: Take a franchise that has seen better days and revive it, only the new protagonist is no
Jason says: “I SELL THE DEAD is one of those movies that sits somewhere between comedy and horror and threatens to be neither one. The horror elements are rooted in the familiar rather than the unknown, but there’s often enough
Diane says: “My stomach was in knots during the whole of THE HURT LOCKER a fine-grained study of a three-man American bomb squad unit in Iraq. Camera stays so close to the characters that you think what they think. The
Jason says: “Sure, this may not look like a Chlotrudis movie at first, but it’s hard for something to get more independent – or more Canadian! – than this! 🙂 “Every once in a while, I’ll get an email from
Bruce says: “Award winning video artist Steve McQueen makes a stunning directorial debut with his evocative film documenting the conditions leading up to the 1981 hunger strike led by Bobby Sands at Her Majesty’s Maze prison nine miles from Belfast.
Jason says: “I haven’t seen Lynn Shelton’s first feature, but MY EFFORTLESS BRILLIANCE and HUMPDAYT form an interesting pattern, and not just in how both are kicked off by an old friend visiting unannounced. Unlike many female independent filmmakers who
Thom says: “If sincerity was the byword of film art this would have been best-in-show. In this case though, the film simply lacks interest. A country family is followed as they try to get by in a changing world. Prices
Thom says: “Dante seems to be stuck in a child/scary mode with most of his feature films (GREMLINS is a good example) and while does have a fun quotient it’s not very special. Two brothers who have moved to a
Jason says: “Herbert and Dorothy Vogel are a treasure, and most people will likely decide that’s the case just from hearing about the couple, without the need for a movie to convince them. They’re a working-class couple that managed to
The Headless Woman (Argentina/France/Italy/Spain; 87 min.) directed by: Lucrecia Martel starring: Maria Onetto; César Bordón; Claudia Cantero; Daniel Genoud; Guillermo Arengo; Inés Efron Bruce says: “THE HEADLESS WOMAN is a state-of-mind study. Vero (Maria Onetto), a successful dentist, climbs
Harry Brown (UK; 97 min.) directed by: Daniel Barber starring: Michael Caine; Emily Mortimer; Iain Glen; Liam Cunningham; Amy Steel; Ben Drew Thom says: “Thrill of thrills Michael Caine was at the Q&A session & I basked in his
Jason says: “Commercial air travel has become common enough that even those of us who do not fly very often take it for granted. We should and we shouldn’t: Life in the 21st century demands relying on complex systems that
Thom says: “More than idle curiosity begs me to ask the question: why in the name of all that’s Holy is Rob Zombie continuing to make this done-to-death story. I had a healthy respect for Zombie’s rock group White Zombie,