Bruce says: “Two hours before the screening of the comedy ADVENTURES OF POWER at the Provincetown International Film Festival I attended the Awards Ceremony where Jane Lynch was one of the honorees. Ms. Lynch was entertaining and informative as she
Bruce says: “4 MONTHS, 3 WEEKS, AND 2 DAYS paints a vivid picture of what life in Romania was like in 1987. Covering a period of about twenty four hours, the bleakness of Ceausescu’s Romania is craftily conveyed by superb
Bruce says: “A number of years ago the New York Times printed a feature on New York’s most famous homeless persons. I was surprised at how many I recognized as fixtures on well traveled New York streets. YOKOHAMA MARY is
Jeff says: “The place you go after you commit suicide resembles one of the seedier neighborhoods of Los Angeles. You might think you’re still living on earth, except there are no stars, nobody ever smiles, and your friend’s car has
Bruce says: “Jan (Lars Brygmann), manager of the upscale dining room on one of the day ferry lines in the Baltic, arrives at work with a black eye. ‘Is there a problem?’ his boss Erilk (Søren Pilmark) asks. Jan makes
Jason says: “It would be completely wrong of me spoil the thing in THE LAST WINTER that made me go from thinking it was a nice little ‘isolated area (and maybe something else) starts messing with people’ horror movie to
Chris says: “Gus Van Sant is listed as one of the executive producers, but throughout this positively odd but rarely boring first feature from director Cam Archer, I was expecting to see Todd Haynes’ name instead. As I watched this
Bruce says: “This film is a perfect companion piece for WHO GETS TO CALL IT ART?, a film that explains how Henry Geldzahler became a power broker for the contemporary art scene in New York during the latter part of
Bruce says: “This film would make a great double feature with AUDIENCE OF ONE. Both feature overzealous ministers who stop at nothing to accomplish goals which are both ill-defined and elusive. WHAT WOULD JESUS BUY? is the story of Reverend
Michael says: “Tsai Ming-Liang’s THE WAYWARD CLOUD, is a sequel of sorts to the brilliant WHAT TIME IS IT THERE? It was a brilliant film, but definitely not quite what I was expecting. THE WAYWARD CLOUD is a sweetly subversive,
Jason says: “It’s probably not a good idea to try to learn about a game by seeing a movie about it. Based upon THE WAR OF FLOWER (aka TAZZA: THE HIGH ROLLERS), I’m dumbfounded at the idea that hwatu could
Michael says: “How can you review WAITRESS without thinking about the tragic circumstances surrounding writer/director Adrienne Shelly’s demise? It is a testament to Shelly’s talents, particularly as a writer, that WAITRESS is a delightful film that rises above the harsh
Bruce says: “**Spoilers** “VITUS is a surprisingly slick and competent drama about a child prodigy who desperately wants to be normal. When we first see Vitus (Teo Gheorghiu) he is twelve and has stolen a private plane which he is
Bruce says: “Edith Piaf remains one of the all time great vocal stylists – a voice filled with great character and emotion, a voice that simultaneously reflects personal heartbreak and resilience. I became a big Piaf fan while still in
Bruce says: “O’Toole plays Maurice, a well-known actor with a reputation as a womanizer, who is definitely in his twilight years. He and his friend Ian (Leslie Phillips) fret about recurring infirmities and approaching senility. Maurice occasionally stops by to
Bruce says: “After the screening of THE VALET it was announced that Dreamworks had purchased the film for a Hollywood remake. Adam Sandler is my guess for the title role which is played by Gad Elmaleh. Like Jamel Debbouze (AMELIE,
Bruce says: “‘A reasonable man adapts himself to suit his environment. An unreasonable man persists in attempting to adapt his environment to suit himself. Therefore, all progress depends on the unreasonable man.’ When George Bernard Shaw wrote these words he
Bruce says: “**SPOILERS** “As the film begins we see Irena (Kseniya Rappoport) talking to the doorman of a luxury apartment building. She talks her way into becoming the charwoman for the public areas and soon she finagles her way into
Jay says: “At some point, Brett Harvey and Adam Scorgie should probably have changed the name of their documentary on the underground marijuana industry; the Union of the title isn’t mentioned until at least halfway through. THE UNION: THE BUSINESS
Bruce says: “The Spanish are becoming quite proficient in the farce department. This delightful comedy is a period piece involving a Freud disciple named León (Alex Brendemühl) who suddenly disappears thereby creating havoc in his intersecting professional and family circles.