Jason says: “THE MISSING PERSON suffers from a bit of an identity crisis, which is only fitting, as it parallels that of the main character. Its jumps between mystery and parody don’t do it many favors, even if it has
Jason says: “YOU MIGHT AS WELL LIVE is a solid moron movie – the type where the lead character’s quite astounding stupidity is just balanced with his innocence in such a way that we can laugh at him while still
Jason says: “THE MESSENGER has no problem with making the audience a little uncomfortable. What might, in another movie, have been a bittersweet romance between Ben Foster’s Will Montgomery (a wounded soldier serving the end of his hitch informing next
Jason says: “THE MERRY GENTLEMAN is one of those movies that appears at the local boutique theater for a blink-and-miss-it one-week engagement with just about zero fanfare, and I probably would have missed it if I hadn’t noticed Michael Keaton’s
Jason says: “NO MERCY FOR THE RUDE isn’t exactly the movie its English-language title would imply. The name implies some sort of satire or that the rudeness is important, and that’s not really where this movie’s going. It’s a much
Jason says: “The ‘getting to know you’ movie is a vital part of the independent film scene. Aside from being something that can be shot on a budget – get a couple actors, some friendly locations, and a script with
Jason says: “At times, it’s a bit hard to grasp that Orson Welles was a sex symbol, once upon a time. Forget the way he ballooned to a size that matched his ego and personality later in life; he did
Bruce says: “MASQUERADES is one of those films that take me by surprise and win me over easily. The story is a small one and perhaps not that original. Three old men sit in the village square when a group
Jason says: “It’s interesting how certain things seem to arrive in clusters. Stop-motion animation never seemed to disappear quite so completely as the traditional cel-based form, but what has appeared over the last year or so has been an unexpected
Michael says: “As in JELLYFISH, my favorite film from last year, MAMMOTH finds as one of its core conflicts, a mother traveling half-way around the world to take care of other people’s children in order to make money to support
Bruce says: “MAKING THE BOYS, a documentary about the creative process in developing The Boys in the Band and the resulting impact it has had on the gay community, was entered in the 2009 Tribeca Film Festival as a work-in-progress.
Bruce says: “Sebastián Silva follows the adage that one should write about what one knows. THE MAID tells the story of his family’s maid during the time he was growing up and was filmed in the actual house where the
Jason says: “Let’s face it: The whole deal with gangs and movies intersecting in such a way as to cause hilarious, self-referential misunderstanding is pretty darn played out. I groaned a little just reading the description for THE MAGIC HOUR,
Diane says: “Saw LYMELIFE on the strength of the trailer, plus the appeal of two elements: Lyme disease and Long Island in the ’70s. “Variety says, ‘Startling performances, searing dialogue and an archaeologist’s sense of late ’70s period detail power
Jason says: “Though I tend to think that attempting to fit a movie into a specific genre and then being frustrated when it fails to fit there nicely speaks more ill of the viewer’s inflexibility than the movie itself, I
The Loved Ones (Australia; 84 min.) directed by: Sean Byrne starring: Xavier Samuel ; Richard Wilson; Jessica McNamee; Victoria Thaine; John Brumpton Thom says: “This Australian horror entry was brief, to-the-point, gruesome, & rather fun. It’s Prom Night in
Jason says: “If THE LOST SON OF HAVANA were fictional, there’s a good chance that people would call its screenplay ridiculous. After all, it features the World Series, the Negro Leagues, multiple incredible returns from injury, baseball bringing about a
Michael says: “In Provincetown for the weekend and as luck would have it, the Provincetown International Film Festival has a slate of Women’s Week Films running at the Whaler’s Wharf! Wary of catching some amateurish, lesbian film (a la BAR
Chris says: “Few films baffle me as much as this one initially did. Jim Jarmusch has always been a particularly austere auteur: his narratives tend to unfold at a zen-like pace and the films’ structures possess as much weight as the stories
Bruce says: “I’ve never before seen a picture by director Hong Sang-soo, which appears to be a grave oversight on my part. LIKE YOU KNOW IT ALL is a refreshing take on dark comedy. The anti-hero of this movie is