Bruce says: “Nesrin’s husband thinks she is frigid. Nesrin’s son Murat is truant and so detached from reality he seems suicidal. He thinks his mother is controlling. Nesrin’s sister Güzin, a professional single woman, has a destructive relationship going. Their
Scot says: “Yeah, that’s the title, semicolon and all. It’s writer/director (sometimes actor) Bruce LaBruce’s latest effort and it’s not entirely terrible. I quite liked some of it, in fact, but overall, I think it’s a ‘meh.’ “The premise is
Jason says: “Before CASINO ROYALE was made into a big, modern movie with Daniel Craig, there were persistent rumors about Quentin Tarantino wanting to take a crack at it, but having it take place in the Cold War period when
Jason says: “This was going to be a negative review; I came out deflated, and if I’d written this right away, that probably would have been the theme. There is a great deal about this film that’s good, though, and
Bruce says: “THE ORDER OF MYTHS was recommend to me by fellow Chlotrudis member Rob Jerome, an award-winning photographer whose specialty is photographing festivals and carnivals around the world. The dual Mobile, Alabama Mardi Gras celebrations – one black (MAMGA),
Michael says: “When Liev Schreiber saw an MTV profile shortly after the fall of Baghdad about Muthana, a young Iraqi who yearned to be a filmmaker, he was touched by the challenges the charismatic young man faced. Schreiber was about
Marilyn says: “On Wednesday, we took whatever we could which turned out not to be so bad. We saw a small film that told a sweet and poignant story. ONE WEEK is a Canadian film and a love poem to
Michael says: “Chlotrudis member and filmmaker Thomas Mignone tackles some pretty tough subject matter in his debut feature, ON THE DOLL. His multi-storylined film features young people working in the sex trade in L.A. and Mignone manages to develop the
The New Year Parade (USA; 85 min.) directed by: Tom Quinn starring:Paul Blackway; Andrew Conway; Irene Longshore; Greg Lyons; MaryAnn McDonald; Jennifer Welsh Bruce says: “Working from a beautifully crafted script, Tom Quinn has made a lovely film, the
Bruce says: “Although NEVER APOLOGIZE has a documentary label, it is a screen adaptation of Malcolm McDowell’s one-man show that originated on stage. Wearing a tuxedo jacket, an open white shirt and baggy jeans, McDowell, a raconteur par excellence, enthralls
Chadd says: “As I discussed my love of indie and foreign film to a woman I recently met (coincidentally, the same woman who accompanied me to see this film), I described that the process of viewing most foreign films is
Beth says: “This film is among other things, an ode to Toronto by Torontonians – and it’s a small world in Canadian cinema circles! Don McKellar, Tracy Wright and Nadia Litz play revolutionaries past and present living on the edge
Jason says: “MISTER LONELY invites the audience to ponder many philosophical questions. What is the purpose of a miracle? Is it a blessing or a curse to find oneself among people who share your passions completely? Can you choose your
Bruce says: “Many might call MILK Gus Van Sant’s return to content from his concentration on form in recent films such as GERRY, ELEPHANT, LAST DAYS and PARANOID PARK. The one thing that MILK does have in common with the
Jason says: “I don’t know if mentioning the date of May 18th even without including a year has the same immediate, nearly-universal effect on South Koreans that bringing up September 11th has on Americans, but it must strike a chord
Michael says: “Ira Sachs (FORTY SHADES OF BLUE) leaves his tested theme of outsiders living in the modern-day South and enters 1950s, northwestern suburbia to look at the domestic difficulties of marriage in MARRIED LIFE. The talented acting pair of
Chris says: “In 1974, Philippe Petit, an impish, excitable young Frenchman did an impossible thing—he managed to string a tightrope across the roofs of the World Trade Center twin towers and walk on it (although ‘dancing’ seems a more fitting
Marilyn says: “On Wednesday we saw a sweet, poignant film called LOVELY, STILL, starring Ellen Burstyn and Martin Landau. It is a love story about a couple dealing with the separation caused by Alzheimer’s. It is touching and beautiful. Landau
Bruce says: “This film is the type that haunts one’s memory long after seeing it. Audacious and totally unconventional, LES CHANSONS D’AMOUR is an UMBRELLAS OF CHERBOURG without Michel Legrand. Almost half of the film is sung; at the most
Bruce says: “Films about artists often fall short because the filmmaker does not know how to balance the personal life of the artist with the product he or she has created. The two universes seem not to even intersect in