Jason says: “WORLD’S GREATEST DAD is deliciously black comedy, the sort that revels not just in how horrible the characters can be, but also regularly raises that bar by going for absurdity as well. That’s not terribly uncommon; lots of
Jason says: “To a certain extent, I don’t care who the audience for WOMEN IN TROUBLE is – it made me laugh out loud and then did a little more than amuse me, and that makes it good in my
Diane says: “I have a problem with Holocaust movies! I can’t help but consider them as entertainment and not as windows into the horror of what happened. When SCHINDLER’S LIST came out, my reaction was ‘movies shouldn’t be made about
Bruce says: “Sonia (Félicité Wouassi) is having many difficulties – with her gambling husband George (Mamadou Dioumé), her pregnant daughter Suze (Elisabeth Oppong), her seemingly suicidal pre-adolescent son Leo (Charles-Étienne N’Diaye) and her son Victor (Ralph Amoussou) who is running
Diane says: “Lacking the directorial genius of Jonathan Caouette (TARNATION) and the painfully fascinating subjects of GREY GARDENS, deceased Harvard film prof Richard Rogers tried for twenty-five years to create an autobiographical documentary. He failed. In fact, Rogers called himself
Jason says: “For most documentaries, the narrator is relatively anonymous – a reassuringly familiar celebrity voice, perhaps with some connection to the subject matter. For WILLIAM KUNSTLER: DISTURBING THE UNIVERSE, it is Kunstler’s youngest daughter, Emily, who made the film
Jason says: “I sympathize with the Boone County D.A. who, in the opening reel of THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA, asks why the White family should get so much attention. There’s a boy in the county from
Bruce says: “Winner of the Palme d’Or at Cannes, Michael Haneke (THE PIANO TEACHER, CACHÉ, BENNY’S VIDEO, FUNNY GAMES, THE TIME OF THE WOLF) finally gets his well deserved recognition. Not that his films are always satisfying. I cannot think
Thom says: “For all the world I thought this was going to be a box office smash due to the general nature of the story and the great big “Hollywood” presence of the production. But the public reception to the
Thom says: “After being a minor Woody Allen fan for years I turned very sour on him for a span. After returning to his films with the witty MELINDA AND MELINDA (due to the presence of must-see Chloë Sevigny) all
Michael says: “I was a big fan of Ondi Timoner’s documentary DiG! from a few years ago, so I was intrigued to see what her next project was like. WE LIVE IN PUBLIC explores the increasingly blurry line between public
Jason says: “I was, perhaps, a little hard on THE WAY WE GET BY when I first got out of it. It’s like that, sometimes, when you’re at a festival and really want to see one movie, can’t get in,
Jason says: “At certain points, the fact that Warlords licked around for a while without a U.S. distributor despite being an epic with high production values and a star in Jet Li who is still relatively bankable was taken as
Michael says: “Drawing parallels between the chaos of making a film and that same unpredictability in life, Tsai Ming-liang has made his most far out and in many ways exciting movie to date. Kang, who we have come to know
Julie says: “Docudrama of a young mother’s fight after being unfairly accused in drug raid of a predominantly black housing project in Arlington Texas. Will Patton was excellent. Nicole Beharie did do a good job as of course did Alfre
Bruce says: “Isabelle Huppert is an actress I would pay money to hear read the phone book; any city – Paris, New York, Tokyo – will do. Huppert elevates every film in which she appears and that fortunately is the
Bruce says: “For a woman at the end of her ropes, caring for a child is not easy. Nina (Judith Chemla) is first seen navigating the backstreets of Paris trying to find a construction site where she and her five
Bruce says: “There are several things many people might not know about Valentino. The first that comes to mind is that Valentino is his first name not his surname, which is Garavani. Another thing is that Valentino is basically a
Jason says: “Toru Hirai (Kaoru Kobayashi) is dragging. He falls asleep while riding the train with his fiancée Mika (Nene Otsuka) and her son Tatsuya (Shusei Uto), but you don’t need that to see it. He’s middle aged, but it’s
Thom says: “Reitman has done a few seriously lauded films including JUNO and THANK YOU FOR SMOKING. & yes I’m thrilled to see him using must-see Simmons once again, albeit, in a small role. For many reasons, I suppose, it’s