Jason says: “THE LAST INTERNATIONAL PLAYBOY was known as FROST during its time on the festival circuit, and I wholeheartedly support the name change, both because the longer title is a lot more interesting and because it downplays the fact
Jason says: “I suppose I should just get the unfair comparison out of the way – LALAPIPO is not in the same class as KAMIKAZE GIRLS, PACO AND THE MAGIC BOOK, or MEMORIES OF MATSUKO. It’s only in the same
Bruce says: “When a director makes a big splash with a debut film, the follow-up film is under greater scrutiny than normal. Fernando Eimbcke’s DUCK SEASON is a case in point. The good news is that LAKE TAHOE, his follow-up
Bruce says: “For anyone who has wondered about the look and feel of Palestinian communities, LAILA’S BIRTHDAY is a perfect starting point. Filmed in the city of Ramallah, the film tracks a taxi driver during one very busy day. Ramallah is
Bruce says: “The Lagerfeld name elicits different thoughts from different people: many view him as a fashion god; others think of him as the greatest contemporary dandy; some think he is a poser, a vacuous self-promoter; some think he is
Jason says: “The title of KATYN refers to a place name and an event, one which looms large in modern Poland’s history, but the film holds the actual event in reserve. It’s too big, after all, putting Katyn at it’s
Jason says: “Even if 2009 weren’t one of the most disappointing summer movie seasons in recent memory, I’d still wish that more foreign popcorn films got released here. I know subtitles can be a tough sell for movies aimed at
Bruce says: “PARIS is a kaleidoscopic film, one that tells many stories at once; it is difficult to keep the characters straight and impossible to imagine how they could be related. This statement is more observation than complaint. It is
Bruce says: “**SPOILERS** “JUST ANOTHER LOVE STORY isn’t. That title is strictly tongue-in-cheek. The film begins with a prologue: three love scenes involving the three main characters – Jonas (Anders W. Berthelsen), his wife Mette (Charlotte Fich) and Julia (Rebecka
Michael says: “What do we make of JULIA, and the very unusual career of filmmaker Erick Zonca? JULIA is a difficult to categorize film, part crime thriller, part melodrama, part farce, part comedy (although I’m not 100% certain the last
Jason says: “Johnny Cash never did time, but his name will forever be associated with California’s Folsom State Prison; a great song and a great album will do that. The Folsom Prison concert is a definitive moment in Cash’s career,
Bruce says: “After seeing only two of her films, I’m thinking that Nancy Meyers may be my guilty pleasure. In spite of Meyers concentrating on the ‘upper’ in the upper middle class IT’S COMPLICATED and SOMETHING’S GOT TO GIVE both
Thom says: “I’m a huge Ricky Gervais fan from back-in-the-day when he made a giant splash with his two television (UK) hits ‘THE OFFICE’ & ‘EXTRAS.’ His first starring role in American films was GHOST TOWN and it was lots
Jason says: “INTANGIBLE ASSET NUMBER 82 seems to have become a fascinating movie almost by accident. Certainly directors Scot McFadyen and Sam Dunn would have covered much of the same material if things had gone according to plan, but when
Jason says: “I watch/review a fairly broad range of films, and when people ask, I generally say that I approach all of them the same way, and try to treat them the same regardless of origin or genre or style.
Jason says: “IN/SIGNIFICANT OTHERS is the very definition of an average movie. No moment raises a flag – well, okay, some do, but they may be among the film’s most interesting, at least in hindsight. No actors perform poorly. No
Jason says: “You know how most monster movies start out in the country or suburbs with the nasty stuff reaching the city something to be avoided at all costs? INFESTATION starts after that’s happened. After giving us a few minutes
Bruce says: “Occasionally a new director comes along who seems absolutely destined for greatness. After seeing INDEPENDENCIA, I would put Raya Martin on the list of directors to watch. Although INDEPENDENCIA is not a great film it does portend wonderful
Jason says: “The film opens with the Prime Minister’s Director of Communications, Malcolm Tucker (Peter Capaldi), flipping his lid because a government minister said that a situation in the Middle East escalating to war was ‘unforeseeable,’ a dangerously absolute phrase
Bruce says: “There is enough interesting subject matter in THE IMPORTANCE OF BEING ELEGANT to make at least two documentaries. As it stands, the film that has been made is sorely lacking in focus and depth. High fashion wars among
