Bruce says: “Director Mat Whitecross figures that a straightforward biopic could not possibly do Ian Dury justice. His artistic decisions pay off. SEX & DRUGS & ROCK & ROLL is a nontraditional take on a very nontraditional subject. In addition
Toni says: “Tomm Moore and his co-production team in Ireland, France, and Belgium, have created a beautiful and haunting masterpiece based of the famous Irish Book of Kells. It is sort of a mix of darker Miyazaki crossed with a touch
Jason says: “This one had a short run on the plex’s smallest screen, and it’s not hard to see why. It’s a pretty decent movie, with a good cast, but it’s also a weird one, with gambling addict John encountering
TC says: “If you were around in the late 70s, you know the kind of sexist conditions that girls who wanted to rock out ran into. That’s the ultimate story behind THE RUNAWAYS, the story of the groundbreaking all-girl punk
Jason says: “There are many varieties of ‘edgy,’ but most can fit within two broad categories: Those that make a mainstream viewer say ‘ewwwww!’ and those that make that same mainstream viewer say ‘what the hell?’ There is, as one
Jason says: “THE REVENANT is nearly two hours, long for a splatter-comedy, and if I could come up with a good suggestion for trimming it, I would probably offer it. The trouble is, the scenes which could probably survive a
Chris says: “I’ve always struggled with war films (both fictional and docs)—it’s possibly my least favorite genre. But I loved THE HURT LOCKER and if this isn’t exactly its real-life equivalent, that’s fine because it aims for something else. Not
Jason says: “The finale of a series never stands up well on its own, no matter how well-intentioned the production may be. One can argue that it shouldn’t, that by the time we get to the third act, the only
Jason says: “David Peace’s Red Riding novels are described as a quartet, and if you look at the titles to the filmed RED RIDING HOOD TRILOGY, there’s clearly a hole where 1977 should be. For whatever reason, screenwriter Tony Grisoni
Jason says: “The RED RIDING trilogy is a daunting prospect, especially if one is inclined to see it during its brief American theatrical release as opposed to as a video on demand offering or on DVD. I’d recommend it, as
Jason says: “RED WHITE & BLUE takes its time messing the audience up. Even the big event that pulls everything together takes a few scenes to really sink in, as we connect just what’s been going on with a growing
Thom says: “The original [REC] is considered a classic amongst the horror set and it was even remade in the United States as QUARANTINE, starring ‘Dexter’s’ wife. This, then, is the ongoing story. It’s very scary and fabulously entertaining but
Jason says: “RARE EXPORTS appears to be the third go-round that Finnish director Jalmari Helander and his brother Juuso have had with this basic idea, with the previous iterations apparently being punchline-driven shorts. This one, on the other hand, is
Jason says: “Say ‘Bollywood,’ and most American audiences will think of cheerful musicals with weddings and happy endings. That’s not likely to be the entirety of a large country’s film output, of course, and Ram Gopal Varma has built a
Ibad says: “I managed to catch this in theaters the other night before going home for the holidays. I don’t have a full length review or anything, but I figured a few scattered thoughts might be of interest to people
Bruce says: “After scoring big with his last two films, READ MY LIPS and THE BEAT THAT MY HEART SKIPPED, the buzz at Cannes this year was that Jacques Audiard’s A PROPHET would walk away with the top prize; instead
Michael says: “I often go through a brief film malaise in the early part of the year. Between catching up to vote in the Chlotrudis Awards and the general lack of quality films released in the beginning of the year,
Michael says: “Rebecca Miller’s THE PRIVATE LIVES OF PIPPA LEE came and went in theatres with barely a notice, which is unfortunate, because it’s a beautifully crafted film with sharp writing and terrific performances from the likes of Robin Wright
Michael says: “Nicole Holofcener’s films, which explore relationships, most often between women; friends, sisters, mothers and daughters, have yet to let me down. From her spare, hilarious debut, WALKING AND TALKING, to her most recent, just-released PLEASE GIVE, Holofcener and
Jason says: “It’s not that I didn’t think much of video games as an art form before seeing PLAYING COLUMBINE; I just tended to think of them as more of an abstract art form. I would respond to complaints from