Bruce says: “MASQUERADES is one of those films that take me by surprise and win me over easily. The story is a small one and perhaps not that original. Three old men sit in the village square when a group
Jason says: “It’s interesting how certain things seem to arrive in clusters. Stop-motion animation never seemed to disappear quite so completely as the traditional cel-based form, but what has appeared over the last year or so has been an unexpected
Michael says: “As in JELLYFISH, my favorite film from last year, MAMMOTH finds as one of its core conflicts, a mother traveling half-way around the world to take care of other people’s children in order to make money to support
Bruce says: “MAKING THE BOYS, a documentary about the creative process in developing The Boys in the Band and the resulting impact it has had on the gay community, was entered in the 2009 Tribeca Film Festival as a work-in-progress.
Bruce says: “Sebastián Silva follows the adage that one should write about what one knows. THE MAID tells the story of his family’s maid during the time he was growing up and was filmed in the actual house where the
Jason says: “Let’s face it: The whole deal with gangs and movies intersecting in such a way as to cause hilarious, self-referential misunderstanding is pretty darn played out. I groaned a little just reading the description for THE MAGIC HOUR,
Diane says: “Saw LYMELIFE on the strength of the trailer, plus the appeal of two elements: Lyme disease and Long Island in the ’70s. “Variety says, ‘Startling performances, searing dialogue and an archaeologist’s sense of late ’70s period detail power
Jason says: “Though I tend to think that attempting to fit a movie into a specific genre and then being frustrated when it fails to fit there nicely speaks more ill of the viewer’s inflexibility than the movie itself, I
The Loved Ones (Australia; 84 min.) directed by: Sean Byrne starring: Xavier Samuel ; Richard Wilson; Jessica McNamee; Victoria Thaine; John Brumpton Thom says: “This Australian horror entry was brief, to-the-point, gruesome, & rather fun. It’s Prom Night in
Jason says: “If THE LOST SON OF HAVANA were fictional, there’s a good chance that people would call its screenplay ridiculous. After all, it features the World Series, the Negro Leagues, multiple incredible returns from injury, baseball bringing about a
Michael says: “In Provincetown for the weekend and as luck would have it, the Provincetown International Film Festival has a slate of Women’s Week Films running at the Whaler’s Wharf! Wary of catching some amateurish, lesbian film (a la BAR
Chris says: “Few films baffle me as much as this one initially did. Jim Jarmusch has always been a particularly austere auteur: his narratives tend to unfold at a zen-like pace and the films’ structures possess as much weight as the stories
Bruce says: “I’ve never before seen a picture by director Hong Sang-soo, which appears to be a grave oversight on my part. LIKE YOU KNOW IT ALL is a refreshing take on dark comedy. The anti-hero of this movie is
Jason says: “LETTERS TO THE PRESIDENT is somewhat difficult to review as a film because it does its job so well. It is trying to give the audience a snapshot of the relationship Iran has with its populist president, and
Jason says: “As you might expect, the title came first with LESBIAN VAMPIRE KILLERS Unlike a lot of high-concept movies, it delivers on that title, both literally – there are vampires, they are lesbians, and our heroes are going
Michael says: “In its examination of the Israeli/Palestinian conflict LEMON TREE doesn’t say anything new or surprising, but by focusing on how it changes the lives of two women on opposite sides of that conflict, it speaks deeply and effectively.
Jason says: “THE LEAST OF THESE is maybe not a rarity as far as documentaries go, but it does seem unusually focused. The way things were being run at the T. Don Hutto detention facility offers the filmmakers plenty of
Jason says: “THE LAST INTERNATIONAL PLAYBOY was known as FROST during its time on the festival circuit, and I wholeheartedly support the name change, both because the longer title is a lot more interesting and because it downplays the fact
Jason says: “I suppose I should just get the unfair comparison out of the way – LALAPIPO is not in the same class as KAMIKAZE GIRLS, PACO AND THE MAGIC BOOK, or MEMORIES OF MATSUKO. It’s only in the same
Bruce says: “When a director makes a big splash with a debut film, the follow-up film is under greater scrutiny than normal. Fernando Eimbcke’s DUCK SEASON is a case in point. The good news is that LAKE TAHOE, his follow-up