Jason says:v”Jim Mickle’s first feature (also with co-writer/star Nick Damici), MULBERRY STREET, was a low-budget and do-it-yourself as you’re going to see, and pretty impressive even when not grading on that sort of curve. STAKE LAND doesn’t quite represent a
Diane says: “Oops! Why did I think this would be good?” Jason responds: “Well, because of Duncan Jones, I imagine. And because Jake Gyllenhaal is pretty good at this sort of action/adventure movie, and there’s a nice supporting cast
Jason says: “Most of the time, when the modern westerner encounters or hears of polygamy, it’s an individual case, and thus he or she thinks about the individual psychology involved. Make it more commonplace, though, and a numbers issue emerges:
Jason says: “Did Khavn de la Cruz and Michael Noer stumble upon a potentially fascinating movie by pure chance while walking around the streets of Manila? Or did they know about the subject and gracefully insinuate themselves? Or were things
Jason says: “The phrase ‘returning to the scene of the crime’ is generally used during the investigation of a mystery, but if you take a broader view of what the ‘scene’ is, almost every criminal does it eventually. It’s just
Michael says: “Peter Stormare gives a remarkably restrained performance as a small-town cop trying desperately not to give in to a violent past while investigating a local murder that touches close to home. Echoes of FARGO abound, in this economically
Bruce says: “THE SKIN I LIVE IN is an adaptation of the French novel Mygale by Thierry Jonquet. Judging from what I have read about the novel, Almodóvar’s adaptation is a very loose one. For a decade I have wished
Jason says: “Believe it or not, two movies came out in Europe where the real Santa Claus was a murderous supernatural monster. Finland’s RARE EXPORTS zipped through the festival circuit and appeared in the U.S. at the same time it
Jason says: “SILENT SOULS is an art-house movie, more obviously filled with more symbol than story; it’s deliberately oblique at times. In many cases, movies like that want more from their audiences than they’re willing to give, but this one
Jason says: “Benny Chan’s SHAOLIN is not a remake of any of the Shaw Brothers films that focused on that legendary temple and its monks (though only fifty-odd years gone at the time, Gordon Liu-starring movies like THE 36TH CHAMBER
Michael says: “Michael Fassbender plays Brandon, a successful businessman who lacks any meaningful relationships due to his sexual addiction. His carefully constructed life is thrown into turmoil when his sister Sissy (Mulligan) returns. Despite some high profile awards and some
Julie says: “Crazy good, darkish ? homegrown southern curio of a film. Interesting unfolding of events, several humorous moments, several bizarre moments, several poignant moments…in the end, sadly, I was left somewhat unsatisfied as if a piece or two to
Ibad says: “I’m fully aware that when someone like myself has been really hyping up a certain picture for a while…and they finally see it…and it turns out, surprise!, they’re in love with it, it almost seems forced if not
Diane says: “SENNA, a doc about Brazilian race car driver Ayrton Senna, is well-paced and has some pathos, but it isn’t very deep. One thing that makes it enjoyable is that Senna is awfully handsome. He was the pride of
Michael says: “Some strong performances and a naturally mystical setting can’t quite rise above a screenplay that is a little too new agey and coincidental to fully work as a film. Tammy (Fisher) is on her way to Phoenix to
Jason says: “I must admit – I’ve completely lost the ability to tell genuine evangelical Christianity from satire of the same. I say this not to disparage the people who find comfort and strength in their faith, just to point
Jason says: “It’s natural to be a little wary of RUBBER. It’s a movie made by a French musician that takes place in America, with a gonzo concept and an experimental execution; just looking at the description, the odds of
Thom says: “Gus Van Sant has long been one of my favorite directors with his only real flop being EVEN COWGIRLS GET THE BLUES which he reportedly made during his period of being totally distraught after the tragic death of
Jason says: “Early on in THE REEF, a character looking at a wall full of sharks’ jaws is told not to worry, because one is far more likely to die of a bee sting than a shark attack. A part
Michael says: “I was excited to get the opportunity to see RAPT, the latest directorial effort from Chlotrudis Award winner (and past guest) Lucas Belvaux at the Boston French Film Festival this past weekend. RAPT is a political thriller starring