Jason says: “A funny thing happened while I sat in the theater, watching the BUFF screening of FRIENDS (WITH BENEFITS): I realized that it was, all told, a pretty conventional romantic comedy – which is probably the last thing I
Jason says: “THE FREEBIE is one of those DIY-style movies (it’s too well-spoken and clean-looking to be referred to as ‘mumblecore’) where no writing credits appears; the cast is working from producer/director/star Katie Aselton’s outline. Everyone’s got their own process,
TC says: “FREAKONOMICS is based on the best-selling book of the same name by economist Steven Levitt and writer Stephen Dubner. It basically looks at how random chance, or causality, affects various parts of the everyday economy. “Having been fan
Jason says: “Before getting upset at the very existence of terrorist comedy FOUR LIONS, remember one thing: Most criminals are idiots. If they were smart, they’d likely be putting their talents to use doing something much more lucrative with much
Jason says: “(There’s movies where you want your opinion known, movies that you want people made aware of, and shameless attempts to make sure that the limited-release film you saw counts toward your films-seen tally at the end of the
Jason says: “How things change; before THE KING AND THE CLOWN, which was very careful about what it showed of its title characters’ relationship, I don’t think you ever saw gay characters in Korean cinema, and Park Chan-wook’s THIRST wound
Jason says: “It’s not really important that the first ‘Millennium’ novel (and film adaptation) is called Men Who Hate Women in Sweden, becoming The Girl with the Dragon Tattoo in English-speaking countries for the purpose of having the entire trilogy
Michael says: “I am a huge fan of Peter Cameron’s novel The City of Your Final Destination, so I was looking forward to James Ivory’s adaptation of the same name. The main story follows the journey of a young man
TC says: “I can’t describe what an amazing, powerful movie this is. The film focuses on four reels of film shot in 1942 in the Warsaw ghetto by Nazi filmmakers who were making a propaganda film. But for some reason,
Jason says: “FAIR GAME is a good movie that is going to have a target on its back for all the wrong reasons. If the story were relocated and names were changed, both its issues and its strengths would be
Jason says: “In general, it’s a bad sign when the main character of a movie isn’t the first name you see in the credits. That’s not a rule you can really rely on, since that sort of thing is often
Chris says: “It’s rare for one film to fully capture how an artistic movement evolves from inception to irrelevance, but that’s just what this ingenuously constructed, gleefully entertaining documentary does for graffiti-inspired guerrilla street art—as it’s all happening, no less.
Jason says: “It’s not hard for a prison movie to get off to a decent start. There is, after all, always a new guy coming in who needs to be shown the ropes and taught the rules. That the new
Everyone Else (USA; 108 min.) directed by: Maren Ade starring: Birgit Minichmayr; Lars Eidinger; Hans-Jochen Wagner; Nicole Marischka; Mira Partecke Scot says: “Just watched the German film EVERYONE ELSE, which I quite enjoyed. My concise summary of the film is
Diane says: “Looking for a new perspective on global poverty? You’ll enjoy Dutch artist Renzo Martens’ provocative forays into World Bank meetings, UNHCR camps (asking a camp director, ‘If someone wants a shelter, does it -have- to have a logo
Jason says: “ENDHIRAN is long, uneven, and like many films that attempt to be all things to all people, frequently comes off as a muddled, drawn-out mess. However, the thing about the Indian style of filmmaking – which seems to
Bruce says: “Were it not for a career-defining performance by Cirián Hinds THE ECLIPSE might not find much of an audience. While it is a ghost story and it is scary at times, it is lacking in cult potential largely
Jason says: “Many filmmakers produce a movie like ECHOES OF THE RAINBOW at some point in their careers. It’s an autobiographical story set in the place and time of the writer/director’s youth, and though I’m not sure whether it’s actually
Thom says: “I’m a fan of the teen genre but, let’s face it, can anything be done to make it fresh and new? Heaven knows this isn’t that movie. It most resembles MEAN GIRLS, but it’s nowhere as good. There
Jason says: “A lot of gangster movies want you to know that they aren’t just about crime, but about family. You can’t miss it, they’re so formal and insistent that it becomes overbearing. DOWN TERRACE, while it has other flaws,