Bruce says: “Xavier Dolan began writing his script for J’AI TUÉ MA MÈRE when he was sixteen with the goal in mind of getting his film into the Cannes Film Festival. Not only did he achieve that goal but he
Jason says: “The Hubble Space Telescope did not make a great first impression; its launch in 1989 was quickly followed by the discovery that a warped mirror rendered it no more powerful than ground-based telescopes. This got a lot of
Thom says: “There wasn’t any reason to suppose that this wouldn’t be a great film but since this was Epstein & Friedman’s first dramatic film (although based on recorded events) I only plunged in because they have made quite a
Michael says: “As we near the final quarter of 2010, I’ve started to catch up on some movies I’ve missed in the theater (and there are a lot of them!) HOME is a French film starring Isabelle Huppert, the first
Thom says: “I’m certainly not Clint Eastwood’s biggest fan (UNFORGIVEN is his only 5 CATS film for me) but he definitely has to be greatly admired for not sticking to one style or genre. Here he goes for a dramatization of the
Bruce says: “HERE AND THERE is a tale of two cities, New York and Belgrade. It is not the best of times in either city. New York is very un-Manhattan is this film. Belgrade, we are told, in part of
Bruce says: “You have to be a devotee of absurdist comedy to appreciate a film like LES HERBES FOLLES (now re-titled WILD GRASS for English audiences.) Similar in theme to HAPPENSTANCE, the Audrey Tatou vehicle prior to her success with
Jason says: “I’d like to think I’m generous when reviewing and rating movies: If I enjoy a movie while watching it, but it loses something on later examination, I make sure to emphasize that this doesn’t undo the initial good
Jason says: “Making a good romantic comedy seems easy enough, in theory: Come up with some witty banter, figure out what makes the people delivering it interesting and likable, add a reason that they aren’t kissing by the end of
Jeff says: “In the end, how you will have come through this movie will depend on what you saw in a brief shot towards the beginning of the picture. Vero, a successful dentist in a rural Argentine town, fumbles for
Diane says: “Caught this at International Film Festival of Boston. A very funny, rambling story of one guy’s heartbreak, and the response of those around him. (Could he be compared to the Job of A SERIOUS MAN?) Justin Rice is
Bruce says: “In 1983 Bette Gordon was an underground artist who decided she could make as good a film as the next guy (let’s face it, there were few female filmmakers in 1983.) The result was the stunning VARIETY which
Jason says: “Tommy Fielding (Scott Porter) is a pretty good guy, especially considering he’s a Wall Street trader. He doesn’t overindulge; he isn’t pressuring his girlfriend Beth (Alexis Bledel) to have sex even though it’s been a couple months and
Bruce says: “Who would have guessed that the two stars of the 2001 film L.I.E., one a Scotsman and the other an American teenager, would end up eight years later working together in Iceland? Although Paul Dano (2008 Chlotrudis Award
Jason says: “A few years ago, I saw a movie called A BITTERSWEET LIFE AT FANTASIA and loved it, saying it was the sort of action movie John Woo and Chow Yun-fat used to make before they came to Hollywood
Jason says: “Stieg Larsson’s ‘Millennium’ novels – all three published posthumously, and given names that begin The Girl Who… in the United States – are kind of a big deal. How can you tell? Well, the three movies with high
Thom says: “Polanski, perhaps because of his continuing legal problems, is not the most prolific of world-class directors, but I’ve still managed to see 17 of his films. I loved his early oeuvre of KNIFE IN THE WATER, REPULSION, &
Thom says: “This period piece about a hermit in Tennessee in the 1930s has its plusses, especially with pretty horses, good photography and editing, finally ends up disappointing. The truculent hermit has a big secret that separates him from the
Jason says: “Disdain for the technique of redrawing voting districts in strange ways for political gain (‘gerrymandering’) doesn’t unite America’s political parties, so much as alternate between them as convenient. Because of this, GRRYMANDERING-the-movie actually has a better chance than
Jason says: “FROZEN is straightforward, at times almost to a fault. In short order, we get friends with a certain amount of tension between them, a situation we really wouldn’t want to be in, and things getting worse. Fortunately, this