Jason says: “Is ballet the least-appreciated major art form in America? To perform it demands the physical fitness and training of a professional athlete and the skills a professional actor. The music is often lively, and the choreography is intricate,
Jason says: “I saw a poster advertising a mini festival of ‘climbing movies’ in the same theater where I saw NORTH FACE, and the fact that most of us can instantly deduce what that means probably counts as a strike
Jason says: “MY NORMALl is thoroughly enjoyable, but I’ve got to be honest: It might come off as just another talky indie/mumblecore film if half the cast of characters were not lesbian dominatrices. “Take Natalie (Nicole LaLiberte); she’s a lesbian
Jason says: “NO ONE KNOWS ABOUT PERSIAN CATS doesn’t initially look remarkable; indeed, midway through it, it appears slight of frame but bloated by music videos; interesting, but trying to be two things and doing neither well. But it eventually
Jason says: “NEVER LET ME GO is the sort of science fiction that tends to hide its genre or go by another name – ‘speculative fiction’ or ‘slipstream’ – because it wants to associate itself with a different audience. Science
Jason says: “Aw, nuts. Granted, it’s not as if I’m likely to ever actually be able to produce Alfred Hitchcock and the Three Investigators movies, but it’s on my list of things that I would like to do if I
Jason says: “The first two credits to appear on the screen in MY SON, MY SON, WHAT HAVE YE DONE are ‘David Lynch Presents’ and ‘A Film By Werner Herzog.’ If you recognize the names, you know that means there’s
Jason says: “This shit needs to stop. “Shouldn’t young filmmakers with no money have moved on from spoofing bad 1950s sci-fi by now? It’s too easy a target if the intent is to skewer, and if the goal is to
Jason says: “Bong Joon-ho’s last film, THE HOST, was a great big special effects extravaganza that set the record for ticket sales in South Korea. In many cases, one would expect a director to try and top that in his
Jason says: “I LOVE YOU PHILLIP MORRIS opens with a playful variant on the standard disclaimer, something along the lines of ‘This all happened. It really did!’ It’s the sort of movie that might get dismissed as ridiculous or improbable
Jason says: “Movies like MONSTERS often get graded on a curve because of how much they do with relatively little. Gareth Edwards shot it guerilla-style and had to cram a fair amount of effects shots into a five or six-figure
Bruce says: “MID-AUGUST LUNCH is based on a solid idea but is hampered by a sloppy, unsatisfying execution. Gianni is a dutiful son confronted with dwindling coffers and an insatiable yearning for white wine. He lives with and cares for
Thom says: “This film is absolute perfection, defining the art of film, frame-by-frame, scene-by-scene, with so many of the delightful excesses that Jeunet is known for. And don’t count me as a Jeunet Pollyanna, by any means. While I’m a
Jason says: “The first half of Jean-François Richet’s two-part biography of French gangster Jacques Mesrine, KILLER INSTINCT, was quitE good; the second half, PUBLIC ENEMY NUMBER ONE, is even better: As much as it’s still shuffling a lot of characters
Jason says: “The story of French outlaw Jacques Mesrine is a grand, sprawling one, so large that Jean-François Richet felt the need to split it into two films in order to do it justice. Watching the first one, covering Mesrine’s
Thom says: “With 3 musts-see involved with this project I was really excited about this world premiere. Denis was there for the Q&A but unfortunately Huppert & De Bankolé were not. I had considered Denis one of my TOP 10
Jason says: “Documentaries about artists and art are frequently disappointing. Filmmakers try their best, but as artists themselves they can make intuitive leaps between their subject and his or her work that is not obvious to a general audience, who
Jason says: “MAKE-OUT WITH VIOLENCE isn’t quite so good as LET THE RIGHT ONE IN, but that’s the film it brings to my mind. Both take horror-movie tropes and twist them into service of a strange story of young love,
Jason says: “First impressions can be a heck of a thing to shake. Even before talking to the other people at the screening, I knew there were a lot of things that rookie filmmaker Damien Chazelle did well in GUY
Jason says: “It seems like a ridiculous thing to say, after having seen the movie, but I initially thought MaACHOTAILDROP was a documentary. Skim the description, and the bits about a company with a colorful head recruiting skateboarders looking to