Brett says: “Consistent garden imagery and images of ‘faded paradise’ as the eldest allows weeds to grow and so forth fit some really subtle Biblical tie-ins throughout. As far as the brothers, there is also an interesting ‘Am I my
Toni says: “I can understand why this film has garnered audience awards at Toronto, Melbourne, and Film Festival(s). Lynda and Jools Topp are as the title of the film and their song implies are in fact ‘untouchable girls.’ Lynda and
Chris says: “Many book-to-film adaptations fail because they aren’t faithful enough, but just as often they’re too literal to succeed as cinema. In struggling to capture a book’s essence, they adhere closely to what the prose dictates but subsequently feel
Chris says: “In rural Queensland, Australia, Peter, a father of four suffers a fatal heart attack while driving and hits the enormous tree next to his house. Soon, his wife Dawn (Charlotte Gainsbourg) and 8-year-old daughter Simone (Morgana Davies) sense
Toni says: “I think that THESE AMAZING SHADOWS is too much of a propaganda love story to random films selected to the National Film Registry than an even documentary about the registry. There is much one might like to learn
Jason says: “Earlier in this festival (and on many other occasions), I saw a movie about an eccentric kid growing up, and it was kind of annoying; even if inspired by actual people, the characters seemed like adult screenwriters. So
Jason says: “When Cristian Mungiu last took audiences to Romania before the fall of communism, he gave us the tense, oppressive 4 MONTHS, 3 WEEKS and 2 DAYS; it seldom referenced the Ceaușescu regime directly, but still managed to perfectly
Diane says: “A film about the pervasive anxiety in our world, through the story of one man’s mental illness. On the literal level, this movie is good at showing the stigma of mental illness and the chaos of delusional disorders.
Chris says: “After watching TABLOID, you wonder why it took so long for someone to make a film about Joyce McKinney. Her fascinating, stranger-than-fiction life story aside, she just blooms in front of the camera without giving off the pretense
Thom says: “Oh, how I wanted to like this film a whole bunch more. I’ve long adored Mark Ruffalo and seeing as this was his initial directing credit I was hoping for a new career for the endearing actor. It
Diane says: “I read conflicting reviews of SUPER. One called it ‘an unwieldy mix of juvenile jokery and attempted pathos that just doesn’t pay off’ (SF Chronicle); another ‘the second coming of the avant-garde in indie film’ and ‘occasionally brilliant’
Jason says: “Watching SUBMARINE, I wondered about director Richard Ayoade’s youth, speculating that he’d spent his time in the cinema, watching French movies rather than hanging out with other kids. There’s an argument to be made that one is better
Jason says: “It is customary, when discussing master filmmakers still producing movies well past when people in most industries have retired, to comment on how they are still vital and what an inspiration it is that they still love their
Jason says:v”Jim Mickle’s first feature (also with co-writer/star Nick Damici), MULBERRY STREET, was a low-budget and do-it-yourself as you’re going to see, and pretty impressive even when not grading on that sort of curve. STAKE LAND doesn’t quite represent a
Diane says: “Oops! Why did I think this would be good?” Jason responds: “Well, because of Duncan Jones, I imagine. And because Jake Gyllenhaal is pretty good at this sort of action/adventure movie, and there’s a nice supporting cast
Jason says: “Most of the time, when the modern westerner encounters or hears of polygamy, it’s an individual case, and thus he or she thinks about the individual psychology involved. Make it more commonplace, though, and a numbers issue emerges:
Jason says: “Did Khavn de la Cruz and Michael Noer stumble upon a potentially fascinating movie by pure chance while walking around the streets of Manila? Or did they know about the subject and gracefully insinuate themselves? Or were things
Jason says: “The phrase ‘returning to the scene of the crime’ is generally used during the investigation of a mystery, but if you take a broader view of what the ‘scene’ is, almost every criminal does it eventually. It’s just
Michael says: “Peter Stormare gives a remarkably restrained performance as a small-town cop trying desperately not to give in to a violent past while investigating a local murder that touches close to home. Echoes of FARGO abound, in this economically
Bruce says: “THE SKIN I LIVE IN is an adaptation of the French novel Mygale by Thierry Jonquet. Judging from what I have read about the novel, Almodóvar’s adaptation is a very loose one. For a decade I have wished