Jason says: “I’m not sure what its Canadian filmmakers figure is so specifically American about AMERICAN MARY but, hey, whatever. Jen & Sylvia Soska have made an impressive little movie that may not exactly be horror but can certainly make
Jason says: “At times, ALL IS LOST presents itself as pure problem-solving porn: No speaking, no backstory, not necessarily even much of a sense that filmmaker J.C. Chandor has anything else on his mind besides just showing what’s happening to
Thom says: “The film was superbly made with extraordinary effects that made for a real thrill ride. It’s the first time I’ve seen what I would call a disaster/horror film with instead of a pack of zombies after such cataclysmic
Kyle says: “THE ACT OF KILLING is the improbable must-see hit of the 2013 New Directors/New Films roster. This is a powerful documentary on the aftermath of the 1965-66 military overthrow of the Indonesian government and consequent mass killings by
Jason says: “I had the feeling when I saw ACROSS THE RIVER (OLTRE IL GAUDO in Italian) that when the time came to expand the capsule I wrote for my blog to a full entry, I would not have a
Bruce says: “Some films should come with their own primer. Certain people might find that concept quite insulting. For me, having background information before viewing NIGHT ACROSS THE STREET would have been very helpful. Raul Ruiz, who died last year
Kyle says: “The international premiere of ABERYA (meaning ‘malfunction’ in Tagalog) was one of five offerings of the New York Asian Film Festival in a series labeled ‘Manila Chronicles: The New Filipino Cinema.’ It is more interesting for its aims
Thom says: “The idea for this film is certainly clever enough and if tight enough reins had been applied it might well have been a classic but to choose 27 directors to make 26 short films, each choosing a letter
Jason says: “Considering the colon in its title and the way that certain bits of the movie’s fantastical elements are not given a whole lot of explanation, I had 95ERS: ECHOES pegged as part of a larger franchise, maybe a
Thom says: “Naturally, I’ve been expecting this treasure for awhile now. When in New York this past October I’d heard of its imminent release but since it has yet to open here in backwater San Francisco I thought it would
Jason says: “I kind of wish 20 FEET FROM STARDOM hadn’t just come out and said that the story of backup singers is the evolution of popular music over the last fifty years, from gospel-trained black voices pushing stiff WASPs
Kyle says: “One of the first things one might notice about +1 if one is inclined to read the credits, is that among the list of finance and production entities are two visual effects companies, suggesting that the tail may
Diane says: “ZERO DARK THIRTY–the wonderful Kathryn Bigelow’s version of The Hunt for Osama bin Laden–is grueling and thrillerish. (Be forewarned about the trailers you might get on this one–some of them are really sick, e.g., THE CALL) It is
Jason says: “Nerds are, like most of the rest of humanity, kind of hypocrites. This movie’s main character probably tells anybody who ask him for computer advice not to open attachments from an unknown source, but you know what happens
Thom says: “On the anniversary of his brother’s death Jack (Duplass, ½ of the Duplass brothers, who had a film at TIFF as well) is present at a remembrance party, also attended by the fiancé (Iris, played by Blunt) of
Jason says: “I must admit that I wasn’t a fan of Oh Young-doo’s first feature, INVASION OF ALIEN BIKINI, but it showed enough promise to make me curious about what he came up with next; it also won a bit
Thom says: “Here’s a wild & woolly, down & dirty reading of the classic Emily Bronte novel. www.us.imdb.com lists some 16 versions of the tragic romance so there was no real compelling reason for this new adaptation; nonetheless Arnold has
Bruce says: “It has been seven years since MY SUMMER OF LOVE, so to say the THE WOMAN IN THE FIFTH was eagerly anticipated is an understatement. Although an entirely different type of film, comparisons to MIDNIGHT IN PARIS are
Jason says: “A girl-group horror movie isn’t really a bad idea at all: You’ve got pretty girls, who are highly competitive by nature to fuel any issues between them, and a bunch of settings and situations where people could be
Thom says: “Corey appears to have it all: a wildly successful career, a caring, fun, naughty, bitchy sister, and a younger, adorable, gorgeous partner but when he wants to take his relationship to a more committed level the boyfriend freaks