Thom says: “Director Koreeda is a huge festival favorite having been lauded for such films as AFTER LIFE, NOBODY KNOWS, & STILL WALKING (already a part of the Criterion Collection). The story is reasonably simple here, but very sweet and
Thom says: “This is your below average gay hard-core mumble core movie. Jess has lived in San Francisco for nearly a decade and his finances have got the better of him and he’s moving back to Ohio. It’s going to
Bruce says: “****SPOILERS**** “This seems to be the season for wonderful, beautifully made films that cannot be recommended for everyone. Sparse in dialogue IT LOOKS PRETTY FROM A DISTANCE brings to mind disparate fare such as HUKKLE; GOODBYE, DRAGON INN;
Jason says: “It is, I suppose, unfair to judge this picture for not being conventional enough; it’s meant to be unusual and relatively plot-free. The question is, if you strip the basic building block of story away, what’s left? ISN’T
Michael says: “Kirby Dick won the Chlotrudis Award for Best Documentary with his film THIS FILM IS NOT YET RATED. Now he tackles sexual violence in the military with the same intensity and passion. This film is tough to watch,
Jason says: “It’s hard too believe that INTRUDERS is just Juan Carlos Fresnadillo’s third feature film; the past decade-plus has been pretty good for Spanish genre filmmakers whether working in their native tongue or English, and Fresnadillo’s 2001 film INTACTO
Bruce says: “THE INTOUCHABLES has been a box office sensation in France. It also has received high enough ratings to currently rank #78 on IMDb’s top 250 films. Fortunately I knew very little about the film beforehand so I arrived
Bruce says: “I’ve said it before – François Ozon is one of those filmmakers whose skills are immense but has yet to produce the masterpiece showcasing his talent. IN THE HOUSE is an expository film, one that centers on the
Jason says: “Hey, festivals, I know all I really want to know about the porn industry. Really, you can stop screening docs about it and films that are set there; folks give me funny looks after I tell them what
Jason says: “Ti West knows how to make his audience jump, which isn’t necessarily as easy as it sounds. Harder, though, is leading up to those jumps with light comedy and deep shivers, and West pulls that off, too. The
Bruce says: “Agnieszka Holland’s most acclaimed film – EUROPA, EUROPA – featured a young Jewish man who posed as a Hitler Youth to avoid his inevitable annihilation. With IN DARKNESS she returns to the holocaust once again. Nominated for a
Jason says: “The very title of THE IMPOSTER seems like it might be giving the game away, but it’s not hard to argue that this is entirely appropriate. Director Bart Layton opts to make the film a mystery only after
Thom says: “Directors Berman & Pulcini have a good track record with AMERICAN SPLENDOR, THE NANNIE DIARIES, & THE EXTRA MAN all worth checking out and while this film registers more of a sit-com script it still offers a bellyful
Thom says: “This is a nasty little film that certainly knows how to entertain once you get past the content. I’ve never seen any of Vroman’s previous output but I can say he’s done a very professional job here. Shannon
Thom says: “No real reason to review this but I had nothing to do one afternoon in Seattle. I’m not a fan of the TWILIGHT series and this is even worse. 12 boys and 12 girls are chosen from the
Jason says: “It’s an obvious thing to say in a review, and probably everyone who writes a review of this movie will say some variation, but what the heck: THE HUMAN RACE kicks a fair amount of ass even though
Bruce says: “HOW TO SURVIVE A PLAGUE serves as a textbook for the pros and cons of various mechanisms surrounding a social movement responding to a crisis. ACT UP was founded in 1987 by a group of people who felt
Bruce says: “Walls, barricades, checkpoints, barbed wire fences. These are prominent features in the West bank landscape and the areas that Palestinians must traverse to get from a refugee camp to a Palestinian village twenty five kilometers away. This fifteen
Thom says: “This unsentimental winner is yet one more great representative of the Film Movement visionary picks. This might well have come from the family-orientation oeuvre of an Ozu until we realize that this film will veer off into wacky
Chris says: “Honestly one of the strangest films I’ve ever seen, and perhaps one of the most wonderful. In his first feature in over a decade, filmmaker Leos Carax(THE LOVERS ON THE BRIDGE), along with his regular collaborator, the wiry