Jason says: “THE FP is the sort of flick that is precisely built to appeal to a certain category of movie fans, who are often surprised when it doesn’t do much for others. I have no doubt that it will
Jason says: “The makers of this anthology were given dozens of instructions that ranged from restrictive to twee, or so the legend goes, although ultimately they had a fair amount of leeway so long as they made a movie on
Thom says: “This is an amazingly problematic, thoughtful, but off-putting film. It’s a 4-character study that starts out with a middle-age roly-poly African American salesman, Joe, having an assignation with a white 15-year-old-boy, June. Wendell Pierce, who anyone that loves
Thom says: “The essence of this Film Movement experience is a beautiful one but the awkward interpretation brought it down a peg for me. Ellie. a young girl from Israel, has moved to the United States in the 1980s because
Jason says: “FOR LOVE’S SAKE is the sort of crazy mix of adolescent emotions that seem over-the-top when you describe it, often going from pure sweetness to eye-rolling to angry violence in the very same scene. It’s just what one
Chris says: “An Israeli father and son, both well-versed scholars in Talmudic studies, experience conflict when one is mistakenly awarded a prestigious annual prize that was actually meant for the other. The mistaken winner, however, is unaware of the mistake.
Jason says: “FOLKLORE is the sort of comedy that will, over the course of the film, tell the audience about a hundred jokes in the hope that enough hit to make the whole thing worth it. It’s got a hit
Jason says: “Foreign movies often take a while to open in the United States for a number of reasons, and while the eight months since FLYING SWORDS OF DRAGON GATE (LEE MEN FEI JIA) opened in Hong Kong actually isn’t
Jason says: “It sort of makes sense when Hollywood makes a movie about something that happened outside the borders of America and Europe but makes a white guy the protagonist – silly, but understandable. When a Chinese filmmaker decides that
Bruce says: “Similar to documentaries 51 BIRCH STREET and STORIES WE TELL, THE FLAT is the story of a filmmaker who discovers hidden stories in his family history. This time the history involves not parents as in the previously mentioned
Bruce says: “Rather like John Sayles who has consistently alternated between acting & writing to acquire enough money to independently produce his own films, Burns has become a reliable B-list actor to finance his directorial projects. But while Sayles has
Diane says: “How long is it now that we’ve been watching docs about kids in competitions? Is there no end? FIRST POSITION follows half a dozen kids, aged 11 to 17, in their quest to score in the Youth America
Jason says: “LOVE FICTION is a romantic comedy that never quite gels, despite a pair of fairly likable leads and Jeon Kye-soo’s script having a quirky, individual voice. The trouble is that said voice is often using unusual words to
Bruce says: “Based on the novel by Chantal Thomas, director Benoît Jacquot gives the final days of Marie Antoinette (Diane Kruger) and the Court of Louis XVI the upstairs/downstairs treatment. Events are seen and heard through the eyes and ears
Jason says: “For a while, I had the feeling that A FANTASTIC FEAR OF EVERYTHING had run short and been padded out with Simon Pegg doing a bunch of slapstick. Not a bad way to get a movie up to
Thom says: “Director Newell has proved himself to be an able and durable director without ever establishing an oeuvre. With such varied entries as FOUR WEDDINGS & A FUNERAL, DANCE WITH A STRANGER, THE GOOD FATHER, ENCHANTED APRIL, AN AWFULLY
Jason says: “Richard Bates Jr.’s Excision is a feature version of his short film, and it’s sort of got that feel: More observation than story, strong visuals that exist for their own sake, and one central character that dominates an
Thom says: “Viggo plays twin brothers Agustin (a respected pediatrician who’s withdrawn from the world) and Pedro (a backwater lowlife from the Tigre Delta who is dying of cancer as well as being involved with a nasty murder). Pedro busts
Thom says: “Winterbottom, a must-see director as much for his style which isn’t all that discernable as his willingness to expand his horizons by making a variety of genres and techniques. You’ll, of course, recall his THE KILLER INSIDE ME,
Julie says: “Well done doc that puts the obvious altogether in one nice package. It is obvious but somehow not to the current U.S. medical system. I hope that the next 4 years might see more change in this direction.