Kyle says: “The North American Premiere of JUVENILE OFFENDER provided one of the surprisingly touching experiences of the New York Asian Film Festival. It is a deceptively simple but emotionally resonant story about a teenage boy without family tending toward
Jason says: “JUG FACE is the sort of horror movie that I often have trouble with, where any hint of supernatural activity actually seems somewhat deflating, as there’s plenty of real-world unpleasantness at work. It’s done well enough to overcome
Jason says: “Alone in the world’ movies offer the independent science fiction filmmaker a fair amount of bang for their buck – you can get by with a very small cast, some unusually still establishing shots taken at the right
Jason says: “The time period covered by JOSÉ AND PILAR aligns, roughly, with the time it took Nobel Prize-winning writer José Saramago to bring his book The Elephant’s Journey from concept to release, and that sounds like a fairly dull
Jason says: “According to the post-film Q&A (and others I’ve talked to), John Dies at the End is a cult novel that barely had time to gain a reputation as unfilmable before going before the cameras. Director and screenwriter Don
Chris says: “As a teenaged Milwaukee native/resident, the Jeffrey Dahmer case obviously hit close to home for me, as it would for anyone to have something so high profile and extremely grotesque occur in your backyard. This documentary is both
Thom says: “I feel so lucky to be still living during Woody Allen’s marvelous renaissance and this latest effort is truly one of his best that totally transforms his usually recognizable dialogue into an entirely new aura of intelligence. Most
Jason says: “There’s clear intent to make a clever movie in IT’S ME, IT’S ME from the opening shots of identical buildings, insistent posters about a rat infestation, and other bits that tie into the high concept of a young
Bruce says: “The film opens with Busu, a disheveled man in an institutional waiting room, talking to anyone who will listen. It seems he has a story to tell and at first it is impossible to know how he fits
Thom says: “Here’s a fine offering from ever-reliable Film Movement, this one a documentary. I was thrilled to see the production collaboration between Iran & the US although the nature of the story most probably accounts for that. Kevin Sheppard
In the House (France; 105 min.) directed by: François Ozon starring: Fabrice Luchini; Ernst Umhauer; Kristin Scott Thomas;; Emmanuelle Seigner; Denis Ménochet Chris says: “That old adage, ‘Write what you know’ receives an ironic, cautionary spin in Francois Ozon’s latest,
Jason says: “INSTRUCTIONS NOT INCLUDED has proven surprisingly successful at the American box office over the past few weekends, and it’s not hard to see why: It’s got an appealing cast, it’s unpretentiously funny, and it makes a naked but
Lorraine says: “Coen Brothers’ newest. About a folk musician trying to make it in 1961. Fabulous cast and musicians. Traditional songs and ones written for the film. Music performed live on set. Strong performances. “Loved that we are allowed to
Kyle says: “AN INACCURATE MEMOIR (dubbed EASTERN BANDITS upon streaming release) received its North American Premiere at the 12th New York Asian Film Festival. Comparisons to director Sam Peckinpah and the violence of his films such as THE WILD BUNCH
Jason says: “Funny thing; even when trailers starting with ‘in a world…’ supposedly happened all the time, I don’t ever recall hearing it enough to snicker when it did show up. Still, the very fact that people act like it
Jason says: “This fantasy movie is kind of a peculiar thing: Based on the band Nightwish’s concept album of the same name but not seeming to have that many songs from it – I think two are performed and another
Thom says: “Most ‘movie’ folks have been assiduous followers of the Spanish master Almodóvar since early in his career and I count myself among them although, honestly, I’ve rarely considered the possibility of him going to the TIP-TOP, mainly due
Bruce says: “Mads Mikkelsen won the Best Actor Award at the Cannes Film Festival in 2012 for his portrayal of Lucas, a man falsely accused of child molestation. Mikkelsen’s performance is a textbook case in underplaying a role to achieve
Kyle says: “The title, seen at the New York Asian FIlm Festival in its North American premiere, refers to a series of idiotic but highly successful self-help videotapes on how to meet, influence and win over guys. It is a
Jason says: “You could get a lot of horror anthology action at Fantasia this year, between this Korean picture, Hong Kong’s TALES FROM THE DARK and (mostly) America’s V/H/S/2. One thing that I find interesting, looking at the three, is