Jason says: “Toward the end of WE STEAL SECRETS, one of the interview subjects calls back to an early online handle of Julian Assange’s, ‘Mendax’, an abbreviation of ‘noble liar’. That is, however, not the first (possible) online alias of
Jason says: “No matter how bound and determined a viewer is to just sit back and enjoy STARBUCK for the light comedy that it is, there are going to be moments when he or she can’t help but think it’s
Jason says: “THE SQUARE doesn’t necessarily look like much as it starts; just some people who happened to have a camera in the right place at the right time. Make no mistake; that is an incredibly useful thing for a
Thom says: “WOW, probably my favorite TIFF 2012 film all the more surprising seeing director Korine’s insane track record, plus his past relationship with film goddess Chloe Sevigny. I loved his first film GUMMO (1997) but was then quite disappointed
Jason says: “It’s hard enough to try to review the first films to play a festival, writing a paragraph at a time between other screenings, but something like THE SPECTACULAR NOW makes it even more difficult. It’s does almost nothing
Jason says: “As of this writing, SPACE MILKSHAKE hasn’t actually been purchased by SyFy (or its Canadian equivalent Space) to run as a Saturday night original movie, but that’s what it is: A low-budget sci-fi movie just long enough that
Chris says: “A popular health food restaurant on the Sunset Strip… an experiment in spiritual communal living at the dawn of the 1970s… a cult overseen by Father Yod, a charismatic, excessively-bearded ex-Marine who eventually proclaimed he was God Himself…
Thom says: “I was to learn before the screening that Assayas had won the best script at the Venice Film Festival. If truly that is the case I’d hate to know what the other choices were as this autobiographical film
Jason says: “Based upon Daisy von Scherler Mayer’s film version, SOME GIRL (S) is a play with a rather tortured premise, and I suspect that actors who like a challenge are drawn to it for that. Sure, Neil LaBute gives
Jason says: “I don’t feel bad about not particularly liking SOFT IN THE HEAD, but one of the reasons I don’t like it bugs me. I look down on its characters, which means I probably look down on their real-life
Bruce says: “This disturbing Israeli film S#X ACTS examines the effects of sexual bullying, a most disquieting albeit extremely important issue among teenagers. Gili (Sivan Levy) has switched schools midway through high school. Her mother is a single parent and
Jason says: “John Sayles is perhaps the most notable independent filmmaker who falls through the cracks despite being quite accessible. Why is that? After all, he’s got LONE STAR and EIGHT MEN OUT to his name! There are a number
Jason says: “There are two general ways a ‘bag of money’ movie can go: Navigating the intricate set-up that is revealed through a constant series of revelations and double-crosses that the anti-hero must navigate in order to keep the cash
Kyle says: “SING ME THE SONGS THAT SAY I LOVE YOU is a documentary of the May 2011 Town Hall concert in New York in loving memory of Kate McGarrigle by Rufus and Martha Wainwright, her children with singer/songwriter Loudon
Jason says: “If the initials in S.I.N. THEORY stand for anything specific, I don’t believe it is revealed in the movie, which is too bad. They imply material that’s more salacious and exciting than what’s on screen, and the movie
Jason says: “Ben Wheatley’s previous two films weren’t everyone’s cup of tea, and he hasn’t exactly gone conventional with SIGHTSEERS. It’s quite often as funny as it is twisted (or, perhaps, vice versa), overflowing with strange, messy, disturbing romantic comedy.
Jason says: “It feels like it’s been a while since a documentary about kids who do something well and compete to see who does it the best has worked its way into a decent number of theaters, and THE SHORT
Chris says: “On the TV series United States of Tara, Brie Larson excelled at playing a complicated teenager: initially shallow and self-absorbed, over three seasons her character convincingly grew into a somewhat wiser, if still searching young adult. Still, if
Jason says: “I thought I’d seen it all from Takashi Miike – for a guy who started out doing quick, strange, direct-to-video crime movies, he’s certainly seemed to do have done everything, from gross-out horror to whimsical adaptations of popular
Jason says: “There’s a twenty-year jump early in SHADOW DANCER, from 1973 to 1993, and another twenty years between then and the present day, and there’s something appealing about that sort of symmetry, especially with the reminders in the background