Kyle says: “OBVIOUS CHILD is the title of a song by the great Paul Simon, with its pointed lyric ‘Why deny the obvious child?’ Why indeed? Donna (Jenny Slate) is a rising standup comic whose specialty is talking dirty and
Kyle says: “NYMPHOMANIAC Vol. 1 & Vol. 2 are recent works by the most provocative director on the current international cinema scene. Lars von Trier has been thrice recognized by Chlotrudis with nominations for Original Screenplay for DOGVILLE (2003), and for
Jason says: “Having lived in New England my entire life, I’m mildly curious as to whether Jay Craven’s ‘Northern Kingdom’ films were ever particularly visible outside the region. They’re local and low budget, but fairly well made, and usually have
Jason says: “Lee Jeong-beom’s last film as director was THE MAN FROM NOWHERE, an action thriller spectacular enough that I’ve spotted people who usually don’t like their movies with subtitles telling other folks that they’ve got to see it. Lee
Chris says: “One phrase my professors repeated throughout film school was ‘show, don’t tell.’ Seems like a pretty obvious tenet until you consider how many filmmakers do exactly the opposite, from Hollywood hacks to indie auteurs. Watching this film, I
Next Goal Wins (UK; 97 min.) directed by: Mike Brett and Steve Jamison documentary Jason says: “NEXT GOAL WINS is an inspirational sports story that follows a familiar enough template that if it were fictional, we might be tempted to
Jason says: “I wonder how many of the critics who regularly make sure to include something along the lines of ‘don’t pay the extra for 3D, there’s nothing that merits it’ for seemingly every movie released in the format will
Big Muddy (Canada; 104 min.) directed by: Jefferson Moneostarring: Nadia Litz; Justin Kelly; Stephen McHattie; James Le Gros; David La Haye Chris says: “Saskatchewan neo-noir? Well, if Joel and Ethan Coen can turn Minnesota into a convincing genre locale, why
Mr. Go (South Korea/China; 123 min.) directed by: Kim Yong-hwa starring: Jiao Xu; Kim Hee-won; Sung Dong-il; Joe Odagiri Jason says: “I’m not going to sugar coat this – MR. GO is not the best possible movie that could be
Jason says: “This is Mike Leigh’s third historical biography, which is somewhat surprising considering what a loosely outlined style he is famous for using – improvisation and recreation do not necessarily go hand-in-hand. And yet, somehow, this winds up an
Jason says: “Having a crappy job or two is often a rite of passage for folks in their late teens and early twenties, and if you live in a country like Israel with mandatory military service, having that turn out
Jason says: “I must admit to bring a little surprised that John le Carré is still with us and writing contemporary works; I had sort of aimed he faded away with the end of the Cold War. This, it turns
Chris says: “Michel Gondry’s most ambitious film to date, MOOD INDIGO alternately plays like one of the director’s early, playfully innovative music videos stretched to feature-length, or ETERNAL SUNSHINE without brakes, or AMELIE on crack. An adaptation of a beloved
Jason says: “2011’s HAUNTERS was an excellent Korean movie that established a simple premise – two people with opposite superpowers (mind control and rapid healing) on a collision course – and delivered with entertaining action pieces, a likable cast of
Chris says: “Those familiar with Quebecois wunderkind Xavier Dolan’s small, extraordinary oeuvre may notice the title and remember that his first feature was called I KILLED MY MOTHER. This, his fifth, is not a sequel, but it occasionally scans as
The Mole Song: Undercover Agent Reiji (Japan; 130 min.) directed by: Takashi Miikestarring: Toma Ikuta; Mitsuru Fukikoshi; Kenichi Endo; Shinichi Tsutsumi; Riisa Naka Jason says: “A few weeks ago, someone recommended a comedy to me by saying ‘it’s great –
Jason says: “I passed on seeing THE MISSING PICTURE one night this week, overstating in my head how tight a squeeze it would be to get to the theater on time because I wasn’t in the mood for it that
Jason says: “One often talks of ‘opening up’ plays when adapting them to film, doing things to obscure the fact that they were originally created to take place in a limited number of limited spaces, all viewed from a single
Jason says: “Sarah Adina Smith’s THE MIDNIGHT SWIM is one sort of movie in the sometimes ill-fitting skin of another, and I wonder if shedding that skin would allow it to be seen more clearly as a sharp tale of
Mea Culpa (France; 90 min.) directed by: Fred Cavayéstarring: Vincent Lindon; Gilles Lellouche; Nadine Labaki; Max Baissette de Malglaive Jason says: “A couple years ago, French director Fred Cavayé garnered some attention from international action-movie fans with POINT BLANK (/review/index)