Thom says: “While director Schlöndorff doesn’t have quite the cachet of contemporaries Herzog, Fassbinder, or Wenders he still has a fairly consistent track record with THE TIN DRUM, YOUNG TORLESS, THE LOST HONOUR OF KATHARINA BLUM, COUP DE GRACE, CIRCLE
Michael says: “For his latest film, Atom Egoyan tackled the controversial true story of the West Memphis Three, a court case about the shocking murder of three young boys. Three young men were targeted as the murderers because of the
The Desert (Argentina; 98 min.) directed by: Chritsoph Behlstarring: Lautaro Delgado; William Procluk; Victoria Almeida; Lucas LaGré Jason says: “There’s a lot to like about Christoph Behl’s post-apocalyptic love triangle, and the fact that it can be described as such
Kyle says: “’Dear White People: The amount of black friends required not to seem racist has just been raised to two. Sorry, your weed man Tyrone doesn’t count!’ Thus Samantha White (Tessa Thompson) begins her Winchester University campus radio show
Thom says: “Yes, I’ve seen them all: PLANET OF THE APES (1968, 4 CATS), BENEATH THE PLANET OF THE APES (1970, 4 CATS), ESCAPE FROM THE PLANET OF THE APES (1971, 4.5 CATS), CONQUEST OF THE PLANET OF THE APES
Jason says: “I wouldn’t necessarily expect Alejandro Jodorowsky to be particularly prone to nostalgia; the director, writer, and ‘psychomagician’ has, throughout his career, favored the grandly imaginative and metaphysical to the mundane to an extent that few in any medium
Brett says: “CUB is a film loaded with potential for a horror film, taking its premise from the campfire stories that are commonplace among scouts crowded around the camp fire in the woods on a weekend retreat. This premise is
Jason says: “Even by black comedy standards, CRIMES AGAINST HUMANITY is kind of on the mean side. That’s no knock; mean can work, especially in a movie like this that is more about tying jokes together than building to one
The Creeping Garden (USK; 81 min.) directed by: Tim Graham & Jasper Sharpdocumentary Jason says: “I take a certain amount of pride in seeing/reviewing movies like this at festivals, and I half think it’s why some issue me press passes
Creep (USA; 82 min.) directed by: Patrick Bricestarring: Patrick Brice; Mark Duplas Jason says: “My only issues with CREEP have nothing whatsoever to do with the movie itself. First, there’s the generic title – it’s only been ten years since
TC says: “Loosely adapted from the Stanislaw Lem novel (who would probably say ‘VERY loosely’), this film is almost impossible to review, because as a film writer and fan, the thought of the stuff going on in this film is
Jason says: “There are a number of paths to directing major motion pictures, and I suspect that the one Tze Chun is on is fairly common: Do some shorts, make a truly independent film that’s close to your heart for
Jason says: “COHERENCE is one of the talkiest, most actor-centric sci-fi films you’re ever likely to see, but this is a case where that’s a pretty good thing. Sure, something this odd and improv-heavy can invite disaster when a neat
Bruce says: “Some films resonate so profoundly with me that I can feel myself embodied in one of the characters. For me, Niko Fischer (Tom Schilling) is one of those characters. Niko transports me back to my twenties. Each move,
Jason says: “A trap street is a non-existent road placed on a map so that cartographers will be able to tell when competitors have copied their work rather than surveying the area independently. It’s not a common term in film
CinemAbility (USA; 98 min.) directed by: Jenni Goldstarring: Geena Davis; Ben Afleck; Michael Apted; Jamie Foxx; Peter Bogdanovich; Beau Bridges; Peter Farrelly Bruce says: “Like other films about outsiders in the world of cinema – such as HOLLYWOOD CHINESE and
Bruce says: “Luminita Gheorghiu (4 MONTHS, 3 WEEKS, 2 DAYS; 12:08 EAST OF BUCHAREST; THE DEATH OF MR. LAZARESCU; BEYOND THE HILLS has to be one of the first ladies of the Romanian silver screen, yet none of her prior
Jason says: “Jon Favreau’s CHEF has a line in the credits about being based on actual events, and I kind of suspect that those events may involve ‘fans’ putting a lot of personal invective into their assessments of IRON MAN
Jason says: “CHEATIN’ is the new Bill Plympton movie, his first feature since 2008’s IDIOTS AND ANGELS, and it’s a fine demonstration that over thirty years as an independent animator, he hasn’t dulled his edge much while carving out his
Michael says: “Here’s an independent film that deserves a wider audience, and I wouldn’t have known about it at all except that a Chlotrudis member is actually the star of the film. Michael D. Cohen stars as Abner in IT