Chris says: “This documentary from venerable magicians/entertainers/smartasses Penn and Teller initially asks whether it’s possible to recreate a Vermeer painting; by the film’s end, that question turns into why anyone would want to do so. I don’t mean that to
Jason says: “TIME LAPSE is a standout even for one of the best sci-fi years I can remember Fantasia having, and while those are rankings that may not mean much to non-attendees, it is meant as high praise. There’s always
Tiger Tail in Blue (USA; 80 min.) directed by: Frank V. Rossstarring: Rebecca Spence; Frank V. Ross; Megan Mercier; Allison Latta; Anthony J. Baker Jason says: “Give the latest wave of young independent filmmakers this: They seem to recognize that
Jason says: “Before Josephine Decker’s THOU WAST MILD AND LOVELY starts to be a weird, creepy sort of movie in a way that has real certainty and direction, it’s got two scenes that kind of warn the audience what it’s
Thermae Romae II (Japan; 112 min.) directed by: Hideki Takeuchi starring: Hiroshi Abe; Aya Ueto; Masachika Ichimura; Kazuki Kitamura; Ivan Kostadinov Jason says: “2012’s THERMAE ROMAE adapted a manga with a delightfully high-concept premise – an architect of Roman bath
Jason says: “Stephen Hawking’s life story is extraordinary, but not necessarily cinematic – its milestones are often losing the ability to do things, and his accomplishments can be difficult for laymen to understand. So what do you do? In this
Jason says: “You can tell from the opening moments of THAT DEMON WITHIN that it’s not going to be your standard cops ‘n robbers movie, and it’s sure not going to stand out for how grounded and realistic it is.
Jason says: “By the time TEN is over, it has maybe managed to beat its story into making some kind of sense, or at least into the kind of nonsense that the audience can sort of work with. That’s probably
Jason says: “Though Hayao Miyazaki’s retirement from directing animated features with THE WIND RISES deserved all the attention it got last year, there is somewhat less noise being made about Isao Takahata’s swan song, THE TALE OF PRINCESS KAGUYA, though
Jason says: “For a while, I found George Takei’s twenty-first century career little more than tacky, an old man who was one a minor part of a pop culture phenomenon becoming a parody of himself in an effort to hang
Jason says: “SUMMER IN FEBRUARY takes place in 1913 Cornwall, which had become an artists’ colony, and in some ways that community is more interesting than any of the people in it. There’s nothing wrong with the story the filmmakers
Suck it Up Buttercup (USA; 87 min.) directed by: Malindi Ficklestarring: Robyn Ross; Gregory Konow; Lacy Marie Meyer; Alex Raymond; Brian Stuart Boyd; Steven Durgarn Lorraine says: “SUCK IT UP BUTTERCUP premiered at the Bare Bones International Film and Music
Jason says: “According to the post-movie Q&A, writer/director Richard Bates Jr. initially couldn’t get any projects off the ground after EXCISION, in part because that movie, despite garnering many positive reviews and festival awards, was just absurdly dark. So for
Jason says: “Given that its name is a hashtag, one might expect #STUCK to have social media play some sort of central part of the story, and maybe cringe at the inevitable mishandling. Fortunately, filmmaker Stuart Acher doesn’t choose to
Kyle says: “New York Film Festival Selection Committee member Dennis Lim tells the audience: ‘I’ve been waiting to see this on a big screen ever since the Cannes Film Festival!’ His words promise size as well as artiness. The program
Kyle says: “A terrible title that will be shunned by all except artsy foreign film junkies, THE STRANGE COLOR OF YOUR BODY’S TEARS is a deconstruction of the giallo genre. The word refers to the color yellow, which apparently was
Kyle says: “THE STRANGE LITTLE CAT is the assured feature film debut of writer/director Ramon Zürcher. The title is somewhat misleading, because the German DAS MERKWÜRDIGE KÄTZCHEN also means ‘remarkable’ or ‘noteworthy’ little cat, not our word ‘strange’ that usually
Kyle says: “STORY OF MY DEATH is the work of a true provocateur, and it is much easier to quote what Albert Serra says than to describe what he does. He gleefully quotes a friend saying that ‘this is a
Kyle says: “I quote the first sentence of the New Directors/New Films program notes: ‘Sara (Sara Carlson, playing herself) is part of a devout Christian goat-farming family with 12 children, all home-schooled and raised with strict moral guidance from the
Jason says: “Apparently the literal translation of this movie’s Korean title (‘SONYEO’) is simply ‘Girl’. Fair enough, and evocative in its own way; maybe in some ways a little better than the English-language title it’s been given for the festival