Thom says: “After having some knowledge of Phil Alden Robinson’s work after seeing FIELD OF DREAMS, SNEAKERS, & THE SUM OF ALL FEARS, I still wasn’t certain what to expect. Certainly Robin Williams’s participation edged it into rental territory, so
Jason says: “As one of the many interviewees in this documentary notes, developed countries worldwide have generally seen a rise in the standard of living reflected by a decrease in strong religious faith, with the United States of America as
Jason says: “ALL CHEERLEADERS DIE is a notably sub-par exploitation movie, but I will probably end up discussing it more than many of the better films that played the festival because the way it goes about being disappointing is just
Jason says: “Based on the original British name for this movie (‘ALAN PARTRIDGE: ALPHA PAPA’), I expected it to be doing more – for instance, for there to be some sort of subplot about Partridge and his kids. Fortunately, that’s
Jason says: “Though the two are unrelated outside of their subject and subject matter – they are made by different directors for different producers with visual styles that are fairly divergent as documentaries shot in the same places go –
Bruce says: “Some legends are more obscure than others: obscure to the public eye, that is. Tanaquil Le Clercq is a case in point. Hardly a household name among those who do not follow dance all that closely, Le Clercq
Kyle says: “A class of philosophy students in a privileged high school in Djakarta on the final day of class is challenged by the teacher to consider issues confronting them on different doomsday scenarios, in which only ten of the
Kyle says: “The most interesting mystery in this unfortunate waste of time and money is its title. It went straight to video as THE ADVENTURER: THE CURSE OF THE MIDAS BOX, but if you last until the end titles, you
Jason says: “Let’s be honest about THE ADMIRAL: ROARING CURRENTS (‘Myeongryang – Huiori Bada’ in the original Korean, and apparently sometimes only either half of the English title is used): Roughly 95% of why people buy a ticket is for
Michael says: “The latest from Catherine Breillat is once again a fascinating fictional version of Breillat’s actual life. As in SEX IS COMEDY, where Breillat recreated the filming of a particular scene from FAT GIRL, ABUSE OF WEAKNESS stars Isabelle
Jason says: “I swear I’ve heard of the Department Q books from somewhere, even though I haven’t really been keeping up on detective fiction as much as I’d like. If they’re going to keep cranking out movies this good in
Jason says: “Is there a term for when directors like Pang Ho-cheung who have thrived, maybe not on the edge, but certainly in a part of the film industry where things are less polished and more open to eccentricity, do
Jason says: “Someday, Alex & Katie Orr’s first-born child is going to see this movie, and in my head it’s running fifty-fifty on whether they’ll have some explaining to do our whether they’ll just be the sort of weird parents
Jason says: “9-MAN was the second film at the festival built around Chinese-American themes and it turns out to be an excellent pairing with THE SEARCH FOR GENERAL TSO: Where TSO mainly concerned itself with history and adaptation, this movie
Julie says: “This one should have been nominated for buried treasure! I loved this! “Have there been any other Paraguayan movies that our group has seen? There are not a lot of them out there. “The film had some brilliant
Jason says: “How prolific is independent filmmaker Joe Swanberg? His latest movie (as a director) started showing up on the festival circuit before his prior one hit theaters, and DRINKING BUDDIES wasn’t nearly as slow in moving through the system
Kyle says: “The closing night screening of the 43rd New Directors/New Films fittingly offered the feature film debut of British directors Iain Forsyth and Jane Pollard — a documentary on Australian musician/composer/screenwriter/novelist/actor Nick Cave. Many fans admire him for his
Jason says: “Sometimes you see a movie and don’t realize what it was missing until decades later, when someone else tries something similar but with an added extra ingredient. Such is the case with THE 100 YEAR-OLD MAN WHO CLIMBED
Jason says: “That ZULU Is basically a mismatched-cop movie is not something that should be held against it; that’s a field-tested template which could prove a little more interesting than usual given this film’s South African setting. There’s usually something
Jason says: “If I were the type of person to walk out of movies (and could have done it without disturbing the rest of the audience), I would have bolted ZERO CHARISMA. That’s not to say it’s a terrible movie;